An odyssey through modern Chile by way of an apocalyptic cat- and-mouse game set in motion by the phrase: ``They're looking for you, Tito.'' Tito is Tito Livio, the novel's protagonist, an advertising executive and frustrated writer. ``They'' are more elusive: The forces of God and Satan, struggling to control the Chilean soul, have both dispatched goon squads after Tito, who possesses the clue to the missing fourth letter of the Tetragrammaton, the name of God that, when pronounced, unleashes infinite power and knowledge. Chilean playwright de la Parra handles this fantastic plot masterfully, slipping into the flickering slapstick of its Keystone Kopslike cosmic chase shots of social satire and arresting images of political repression under Pinochet. He names Tito's sidekick Sigmund Freud Romero—there's an Aristotle Garcia and a Hegel Cabrera—suggesting: ``That's the tragedy of Chile, being almost a country, an imitation, a pastiche, a parody....'' As Freud and Tito flee the clutches of their rival pursuers, de la Parra shuttles the reader through the night streets of Santiago, vacated by Pinochet's curfews, to confront the corpses of disappeared citizens: ``Dead people exist. They're not television series or propagandistic maneuvers.'' As if to underscore the ``propagandistic maneuvers'' in all endeavors, de la Parra persistently breaks the illusion of his fiction, advertising its artifice: ``He breathed deeply with an end-of-the-chapter look on his face.'' All projects, he seems to suggest, be they aesthetic, divine, or diabolical, employ lies. Maybe so. But how does de la Parra respond? Does he merely anthologize ironies rather than risk meaning or a moral stance? This novel, so brilliantly conversant in so many genres and styles, seems curiously silent on these questions.
Pub Date: Sept. 1, 1994
ISBN: 1-56656-127-2
Page Count: 328
Publisher: Interlink
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1994
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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