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THE MUSIC OF THE PRIMES

SEARCHING TO SOLVE THE GREATEST MYSTERY IN MATHEMASTICS

A must for math buffs.

A Royal Society research fellow takes the Riemann Hypothesis, reputedly the most difficult of all math problems, as the focus for his lively history of number theory.

Du Sautoy (Mathematics/Oxford) begins in 1900 with German mathematician David Hilbert's famous address to the International Congress of Mathematicians in Paris, where Hilbert offered 23 unsolved problems as challenges to his colleagues. Among them was the Reimann Hypothesis, which concerns the distribution of prime numbers; it is the only one still unsolved. Greek mathematicians knew that the primes are infinite in number and distributed randomly in the set of natural numbers. Two centuries ago, Carl Friedrich Gauss offered a formula to estimate how many primes lie below any given number; in 1859, Gauss's student, Bernhard Riemann, refined that estimate, based on the incredibly complex Zeta function, but died without proving his hypothesis. With a minimum of equations and mathematical symbols, du Sautoy outlines the progress each succeeding generation has made on the problem. Along the way, readers meet G.H. Hardy and J.E. Littlewood, the twin beacons of the Cambridge math department between the world wars; Ramanujan, the self-taught Indian clerk who claimed that his ideas were given to him by his family goddess; and Atle Selberg, who survived the Nazi occupation of Norway to become a leading light at Princeton's Institute for Advanced Studies. Alan Turing, the father of modern computers, tried to devise a program to attack the Riemann Hypothesis; now the primes are the key to cryptography. A Boston businessman has offered a million-dollar reward for a proof, although few mathematicians seem to need additional incentive to tackle the Everest of mathematical problems. Du Sautoy keeps the story moving and gives a clear sense of the way number theory is played in his accessible text. (See Karl Sabbagh’s The Riemann Hypothesis, p. 369, which covers similar territory but spotlights current mathematicians searching for a Riemann proof.)

A must for math buffs.

Pub Date: May 1, 2003

ISBN: 0-06-621070-4

Page Count: 336

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2003

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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