by Margaret Carlson ‧ RELEASE DATE: March 2, 1999
This First Person story set in 1959 is based on the author’s true experiences. Peggy and Peggie are the best of friends; they share a name and many interests and have never given much thought to the fact that Peggie is black and Peggy is white. But when Peggy isn’t allowed to stay over at Peggie’s anymore because of her mother’s prejudice toward Peggie’s maturing brothers, race becomes an issue. Over her first cup of coffee, Peggie faces the sobering reality that her friendship with Peggy is over. The narrative is often tender and atmospheric, but labors to make comparisons or draw similarities between jars of beans and racism. The discussion points in a note to teachers and parents encourage communication, while an author’s note offers more context for the attitudes of the time. (Picture book. 6-8)
Pub Date: March 2, 1999
ISBN: 1-57505-260-1
Page Count: 40
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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by Corinne Demas Bliss ‧ RELEASE DATE: Sept. 1, 1999
PLB 0-7868-2125-6 As is true for Pam Conrad’s Tub People, the events in a matryoshka doll’s life depend on external manipulations and circumstances; in this case, it makes the story of a perilous journey fall somewhat flat. A set of the nesting dolls is carved in a Russian village and then sent to a toy shop in America. The outer doll, Anna, has been instructed by the maker to watch over her siblings—“Keep your sisters safe inside you”—but there is nothing she can do when the smallest doll, Nina, is accidentally brushed off the counter and unceremoniously kicked out the door. It is an odyssey in which she has absolutely no active part, nor does she have reactions, for all she possesses is a blank matryoshka face. In the meantime, a young girl who has bought the rest of the set on sale charmingly tucks a little wad of cotton into the next-to-smallest doll so she won’t feel empty. Brown’s atmospheric but docile watercolors often view the matryoshka dolls from a distance, furthering the sense that the story is about events surrounding the dolls, instead of the dolls themselves. An author’s note on the history of matryoshkas is a welcome touch. (Picture book. 4-8)
Pub Date: Sept. 1, 1999
ISBN: 0-7868-0153-0
Page Count: 32
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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by Mayra Montero & translated by Edith Grossman ‧ RELEASE DATE: May 1, 1997
In The Palm Of Darkness ($21.00; May 1997; 192 pp.; 0-06-018703- 4): A Cuban writers's intensely imaginative portrait of the extremities of Haitian culture rings some fresh changes on the overfamiliar theme of intellectual arrogance humbled by its collision with ``elemental'' peasant wisdom. Montero subtly builds up a revealing contrast between Victor Griggs, a European herpetologist searching for the remaining specimens of an endangered species of amphibian, and his native guide Thierry Adrien's memories of his family's encounter with the island's ubiquitous spirits. This truly original novel is studded with surprises—not least of which is the concept of a species suddenly and entirely disappearing in a milieu where the living and the dead are known to mingle together more or less matter-of-factly. A refreshingly sophisticated treat. (Author tour)
Pub Date: May 1, 1997
ISBN: 0-06-018703-4
Page Count: 192
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
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by Mayra Montero & translated by Edith Grossman
BOOK REVIEW
by Mayra Montero & translated by Edith Grossman
BOOK REVIEW
by Mayra Montero & translated by Edith Grossman
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