Book Two of The Cousins Quartet focuses on Lolly Bancroft, whose parents are having a heated quarrel that Lolly imagines will end in divorce—not a pleasing prospect, though she'd like being a full-fledged Fortune like her cousins if Mum reverts to her maiden name. It's true, as Mum says, that Dad is overly critical; still, Lolly loves him dearly. The only person who's pleased is Dad's snooty mother, who never approved of the Fortunes and is eager to have Dad back. Meanwhile, Lolly decides to live up to her full name, Lorelei, by becoming more assertive, and she and her feisty cousins, each with a personal agenda (Tracey wants Dad's Jaguar to stay in the family; Tessa needs his financial advice), contrive some mild pranks that have delightfully comic results—and achieve their aim of getting the parents back together. Lolly decides that "Lorelei Bancroft" suits her best, and wins a spot in her cousins' treehouse despite her different surname. Like The Good Fortunes Gang (p. 788), a lively, accessible story told with unusual wit and sagacity. (Fiction. 8-11)
Pub Date: Nov. 1, 1993
ISBN: 0-385-31135-4
Page Count: 112
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1993
The poster boy for relentless mischief-makers everywhere, first encountered in No, David! (1998), gives his weary mother a rest by going to school. Naturally, he’s tardy, and that’s but the first in a long string of offenses—“Sit down, David! Keep your hands to yourself! PAY ATTENTION!”—that culminates in an afterschool stint. Children will, of course, recognize every line of the text and every one of David’s moves, and although he doesn’t exhibit the larger- than-life quality that made him a tall-tale anti-hero in his first appearance, his round-headed, gap-toothed enthusiasm is still endearing. For all his disruptive behavior, he shows not a trace of malice, and it’ll be easy for readers to want to encourage his further exploits. (Picture book. 5-7)
Pub Date: Sept. 1, 1999
ISBN: 0-590-48087-1
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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