Given the plethora of similar titles, rate this an O for overdone and opt for a better one, such as Ramon Olivera’s ABCs on...
Kids seem to have an innate fascination with machinery, and this alphabet of vehicles will challenge them to name 26 and pair them with their corresponding letters of the alphabet.
In concept, this is nothing new, but it’s Ayliffe’s execution that makes this one stand out—but not necessarily in a great way. Intensely saturated colors bleed off the pages, overpowering the simple shapes that lack line definitions and featureless faces (just dots for eyes). From “Ambulance,” “Bulldozer,” and “Crane” to “Yacht” and “Zooming Rocket,” the text glossing each moving vehicle emphasizes activities or signature sounds and is typeset in ever larger fonts to lift the excitement. J is for “Jumbo Jet / Enormous jumbo jet / roar, roar, roaring. / Over fields and buildings, / up…up…soaring!” Exemplars that are out of the ordinary include “Narrow Boat” (revealed in the illustration to be a British canal boat), “Quad Bike” (which many American readers will recognize as an ATV), and “Velodrome Track Bike”; X stands for the “EXtra Big Wheels” of a monster truck. San-serif lower- and uppercases are highlighted in the upper corners. There are a few double-page spreads, but most letters have one page with no segues between them. Kids familiar with themed alphabet books and enraptured with toy vehicles will enjoy repeating the sound effects and guessing what vehicle comes next despite the misleading cover that hints that all of the machines dig.
Given the plethora of similar titles, rate this an O for overdone and opt for a better one, such as Ramon Olivera’s ABCs on Wheels (2016). (Picture book. 4-7)Pub Date: Aug. 22, 2017
ISBN: 978-1-62779-516-6
Page Count: 34
Publisher: Henry Holt
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
A solid addition to Rotner’s seasonal series. Bring on summer.
Rotner follows up her celebrations of spring and autumn with this look at all things winter.
Beginning with the signs that winter is coming—bare trees, shorter days, colder temperatures—Rotner eases readers into the season. People light fires and sing songs on the solstice, trees and plants stop growing, and shadows grow long. Ice starts to form on bodies of water and windows. When the snow flies, the fun begins—bundle up and then build forts, make snowballs and snowmen (with eyebrows!), sled, ski (nordic is pictured), skate, snowshoe, snowboard, drink hot chocolate. Animals adapt to the cold as well. “Birds grow more feathers” (there’s nothing about fluffing and air insulation) and mammals, more hair. They have to search for food, and Rotner discusses how many make or find shelter, slow down, hibernate, or go underground or underwater to stay warm. One page talks about celebrating holidays with lights and decorations. The photos show a lit menorah, an outdoor deciduous tree covered in huge Christmas bulbs, a girl next to a Chinese dragon head, a boy with lit luminarias, and some fireworks. The final spread shows signs of the season’s shift to spring. Rotner’s photos, as always, are a big draw. The children are a marvelous mix of cultures and races, and all show their clear delight with winter.
A solid addition to Rotner’s seasonal series. Bring on summer. (Informational picture book. 4-7)Pub Date: Oct. 16, 2018
ISBN: 978-0-8234-3976-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Sept. 1, 2018
As a parable of gender nonconformity this is too disjointed to work. Don’t bother.
A young boy accepts his unusual shadow.
In this world, everyone has a sentient, self-directed shadow that represents their innermost self. The White, floppy-haired main character explains that his shadow “is quite different, it’s not what you think.” Most of the shadows in his family are blue, but his is pink and “loves…princesses, fairies, and things ‘not for boys.’ ” In awkward rhyming couplets the narrator anxiously awaits the first day of school, where all of his apparently mixed-gender classmates seem to have blue shadows. When he's instructed (via a rhyming note) to wear his shadow’s “favourite thing” to school, he arrives in a tutu—then runs home when everyone stares at him. His father, a burly masculine triangle of a man and also White, dons a pink hooded dress in solidarity to escort his son back to school, and all is well. The central conceit of this story leaves many questions unsatisfyingly unanswered: Many girl-presenting classmates have blue shadows, so how are shadow colors assigned at birth? How can a person’s shadow have a discrete sexual orientation? Why use rhyming couplets when they lead to tortured constructions like “I join a small group, though in I don’t blend”? (This book was reviewed digitally with 10.8-by-20-inch double-page spreads viewed at 20.8% of actual size.)
As a parable of gender nonconformity this is too disjointed to work. Don’t bother. (Picture book. 4-7)Pub Date: April 1, 2021
ISBN: 978-0-648-72875-7
Page Count: 32
Publisher: Larrikin House/Trafalgar
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
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