by Margaret Peterson Haddix ‧ RELEASE DATE: Sept. 1, 1998
In a chilling and intelligent novel, Haddix (Leaving Fishers, 1997, etc.) envisions a near future where a totalitarian US limits families to only two children. Luke, 12, the third boy in his farming family, has been hidden since birth, mostly in the attic, safe for the time being from the Population Police, who eradicate such “shadow children.” Although he is protected, Luke is unhappy in his radical isolation, rereading a few books for entertainment and eating in a stairwell so he won’t be seen through the windows. When Luke spies a child’s face in the window of a newly constructed home, he realizes that he’s found a comrade. Risking discovery, Luke sneaks over to the house and meets Jen, a spirited girl devoted to bringing the shadow children’s plight center-stage, through a march on the White House. Luke is afraid to join her and later learns from Jen’s father, a mole within the Population Police, that Jen and her compatriots were shot and killed, and that their murder was covered up. Jen’s father also gets a fake identity card and a new life for Luke, who finally believes himself capable of acting to change the world. Haddix offers much for discussion here, by presenting a world not too different from America right now. The seizing of farmlands, untenable food regulations, and other scenarios that have come to fruition in these pages will give readers a new appreciation for their own world after a visit to Luke’s. (Fiction. 9-13)
Pub Date: Sept. 1, 1998
ISBN: 0-689-81700-2
Page Count: 154
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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by Jeanne DuPrau ‧ RELEASE DATE: May 27, 2003
This promising debut is set in a dying underground city. Ember, which was founded and stocked with supplies centuries ago by “The Builders,” is now desperately short of food, clothes, and electricity to keep the town illuminated. Lina and Doon find long-hidden, undecipherable instructions that send them on a perilous mission to find what they believe must exist: an exit door from their disintegrating town. In the process, they uncover secret governmental corruption and a route to the world above. Well-paced, this contains a satisfying mystery, a breathtaking escape over rooftops in darkness, a harrowing journey into the unknown and cryptic messages for readers to decipher. The setting is well-realized with the constraints of life in the city intriguingly detailed. The likable protagonists are not only courageous but also believably flawed by human pride, their weaknesses often complementing each other in interesting ways. The cliffhanger ending will leave readers clamoring for the next installment. (Fiction. 9-13)
Pub Date: May 27, 2003
ISBN: 0-375-82273-9
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
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by Jeanne DuPrau & adapted by Dallas Middaugh illustrated by Niklas Asker
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by Neil Gaiman ‧ RELEASE DATE: July 1, 2002
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...
A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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