Beautiful verse but insufficient depth.
Multiaward-winning author Engle presents the childhood and youth of famed Nicaraguan poet Rubén Darío.
Engle tirelessly brings forth yet another influential Latin American whose life is little known to children in the United States. Based on Darío’s autobiography, the free-verse novel is told in the voice of the poet as imagined by Engle. Readers learn of the mother who abandoned him at a young age under a palm tree; of the great-uncle who gave him a home; and of learning “the essential skill of storytelling” from this same great-uncle, “who tells tall tales / in a booming, larger-than-life / story voice.” Darío started writing poetry as a child and was soon known as “el niño poeta” (the poet boy). Impulsive and smart, Darío’s youth was both marked by events out of his control and controlled by his emotions. At the age of 19 he left Nicaragua for Chile, and—aside from one last poem briefly summarizing the rest of his life—it is here the novel ends. Unfortunately, the book focuses more on the emotional life that carried him forward than on the events surrounding him, leaving readers with the need to go elsewhere for a more complete picture.
Beautiful verse but insufficient depth. (author’s note, references) (Historical verse fiction. 12-15)Pub Date: Feb. 18, 2020
ISBN: 978-1-5344-2493-7
Page Count: 160
Publisher: Atheneum
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Quietly suspenseful, vividly character-driven, and poignant, with insights into cerebral palsy and the multiple meanings of...
A nonverbal teen becomes the “real-life password” to solving a terrible crime in this British import.
Sixteen-year-old Jemma has “no secrets of [her] own.” Quadriplegic due to cerebral palsy, she can’t move or speak and depends on her foster parents and her aide, Sarah, for everything from eating to using the bathroom. But people often share their secrets with her. After all, Jemma can never tell—even when Sarah’s sleazy boyfriend, Dan, hints at his involvement in a recent murder just before Sarah goes missing. But when innovative technology offers Jemma a chance to communicate, can she expose Dan’s secret before he silences her? Despite its suspenseful premise, the plot pales against Joelson’s (Girl in the Window, 2018) intimate, unflinching exploration of Jemma’s character; the book’s most powerful tension lies in Jemma’s simple, direct narration of her unrecognized, uncomfortably realistic frustrations and fears, such as patronizing adults who “don’t realize that [she has] a functioning brain” and her worry that her overwhelmed parents will stop fostering. Refreshingly, the author’s detailed depiction of augmentative and alternative communication explores both the joy of self-expression and the physical and mental effort it requires. Jemma’s bond with her chaotic but supportive foster family grounds the story, particularly her touching rapport with her younger foster brother, Finn, who’s autistic and also nonverbal. Most characters appear white.
Quietly suspenseful, vividly character-driven, and poignant, with insights into cerebral palsy and the multiple meanings of “family.” (Suspense. 12-15)Pub Date: Nov. 5, 2019
ISBN: 978-1-4926-9336-9
Page Count: 288
Publisher: Sourcebooks Fire
Review Posted Online: Aug. 12, 2019
Kirkus Reviews Issue: Sept. 1, 2019
BOOK REVIEW
Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre.
Survival camp? How can you not have bad feelings about that?
Sixteen-year-old nerd (or geek, but not dork) Henry Lambert has no desire to go to Strongwoods Survival Camp. His father thinks it might help Henry man up and free him of some of his odd phobias. Randy, Henry’s best friend since kindergarten, is excited at the prospect of going thanks to the camp’s promotional YouTube video, so Henry relents. When they arrive at the shabby camp in the middle of nowhere and meet the possibly insane counselor (and only staff member), Max, Henry’s bad feelings multiply. Max tries to train his five campers with a combination of carrot and stick, but the boys are not athletes, let alone survivalists. When a trio of gangsters drops in on the camp Games to try to collect the debt owed by the owner, the boys suddenly have to put their skills to the test. Too bad they don’t have any—at all. Strand’s summer-camp farce is peopled with sarcastic losers who’re chatty and wry. It’s often funny, and the gags turn in unexpected directions and would do Saturday Night Live skits proud. However, the story’s flow is hampered by an unnecessary and completely unfunny frame that takes place during the premier of the movie the boys make of their experience. The repeated intrusions bring the narrative to a screeching halt.
Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre. (Fiction. 12-14)Pub Date: March 1, 2014
ISBN: 978-1-4022-8455-7
Page Count: 256
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
BOOK REVIEW
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