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THE QUEEN'S OBSESSION: "THE FORBIDDEN AFFAIR"

More sensationalistic than historically relevant.

Rieder (Millboro and More, 2007) uses data collected during hypnotherapy sessions in an effort to reconstruct historical events. 

In this Jungian spin on a historical enigma, Rieder explores Queen Christina of Sweden’s life via the details that her patient Marcia recalled while under hypnosis. Rieder posits that Marcia was the Queen of Sweden in a past life, and to offer some proof of this Rieder says, “The ability to comprehend and answer correctly questions posed to her [in] both Swedish and French would have been impossible to stage, as Marcia knows neither language.” The author acknowledges that the historical validity of the information is “extremely controversial,” and she departs from the story of Christina to defend hypnosis and inherited memory. The author includes a discussion of separate case studies demonstrating how pairs of twins were affected by past-life memories. The information, however, is overly technical and detracts from the book’s focus. Rieder accurately portrays Christina’s multidimensional character and renders in detail her tumultuous life, including an assassination attempt: “While the congregation was engaged in prayer and everyone had their heads bowed, the man slipped through the crowd to a small dais where the queen was kneeling. One of the officials spotted him and shouted to the guards, who immediately crossed their halberds, blocking the way.” The book’s strength is in Rieder’s portrayal of history rather than her account of the psychological study. Marcia’s responses are often superficial and always seem coached. Later, Rieder uses dubious information to prove that Christina may have hidden an illegitimate pregnancy; Marcia’s wavering responses make the claim seem more sensational than realistic. In the last several chapters, the narrative grows confusing and repetitive as the author skips around chronologically and reiterates the same ideas. While the complex story of Queen Christina is an attention grabber, Rieder’s use of Marcia’s past-life regression to tell that story drains some of its dramatic power.

More sensationalistic than historically relevant. 

Pub Date: June 9, 2012

ISBN: 978-1463788377

Page Count: 256

Publisher: CreateSpace

Review Posted Online: Aug. 13, 2012

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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GRIEF IS FOR PEOPLE

A marvelously tender memoir on suicide and loss.

An essayist and novelist turns her attention to the heartache of a friend’s suicide.

Crosley’s memoir is not only a joy to read, but also a respectful and philosophical work about a colleague’s recent suicide. “All burglaries are alike, but every burglary is uninsured in its own way,” she begins, in reference to the thief who stole the jewelry from her New York apartment in 2019. Among the stolen items was her grandmother’s “green dome cocktail ring with tiers of tourmaline (think kryptonite, think dish soap).” She wrote those words two months after the burglary and “one month since the violent death of my dearest friend.” That friend was Russell Perreault, referred to only by his first name, her boss when she was a publicist at Vintage Books. Russell, who loved “cheap trinkets” from flea markets, had “the timeless charm of a movie star, the competitive edge of a Spartan,” and—one of many marvelous details—a “thatch of salt-and-pepper hair, seemingly scalped from the roof of an English country house.” Over the years, the two became more than boss and subordinate, teasing one another at work, sharing dinners, enjoying “idyllic scenes” at his Connecticut country home, “a modest farmhouse with peeling paint and fragile plumbing…the house that Windex forgot.” It was in the barn at that house that Russell took his own life. Despite the obvious difference in the severity of robbery and suicide, Crosley fashions a sharp narrative that finds commonality in the dislocation brought on by these events. The book is no hagiography—she notes harassment complaints against Russell for thoughtlessly tossed-off comments, plus critiques of the “deeply antiquated and often backward” publishing industry—but the result is a warm remembrance sure to resonate with anyone who has experienced loss.

A marvelously tender memoir on suicide and loss.

Pub Date: Feb. 27, 2024

ISBN: 9780374609849

Page Count: 208

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: Sept. 19, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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