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EGGPLANT MAN

A sensitively drawn portrait of the healing power of love.

A chance encounter unites two unlikely black soul mates in this debut novel.

For Ruby, it is another hot and humid August afternoon in Harlem. Her day begins with a tour of the neighborhood, rummaging through the trash for trinkets and treasures before the garbage collectors come and take it away. A native of Metairie, Louisiana, Ruby found herself among Harlem’s homeless after a series of tragedies left her destitute. For nearly 20 years, she has followed the same routine, until she encounters a man leaning against the wall of a barbershop. His regal bearing fascinates her and she gives him a gift, a piece of eggplant skin she calls his “skin-mate,” and renames him Eggplant Man. The stranger, LeRoy Vaughn Reed, is a gifted musician who ended up homeless after serving time in prison for a crime he did not commit. Their connection is instant and powerful, but Ruby hesitates to act on her feelings, fearful of her mother’s admonition that “people die and men leave.” Despite her concerns, she is ready to pursue her attraction to LeRoy, and they discover that they have a natural rapport. Happiness is within their grasp when tragedy threatens to separate them forever. De Leaver’s novel is an incisive portrait of two people finding a second chance at hope and love. The narrative focuses exclusively on Ruby and LeRoy and they are nuanced characters whose attraction never feels forced for the sake of the narrative. The author is particularly adept at developing their stories through flashbacks and carefully chosen details, such as Ruby’s strict adherence to a specific radius when looking through garbage, which reveal how they navigate their lives on the streets of Harlem. The prose is spare and lyrical, and effectively incorporates poetry and song lyrics to express Ruby and LeRoy’s innermost hopes and fears (At one point, he muses about his skin color: “Now I walk with head held high / And wisdom under my cap / Knowing that my fear did die /And it’s beautiful to be black”). That said, the book is short and, although De Leaver builds a solid foundation for their relationship, the final chapters move so quickly that additional opportunities for character development are missed.

A sensitively drawn portrait of the healing power of love.

Pub Date: June 7, 2017

ISBN: 978-1-4808-4163-5

Page Count: 134

Publisher: Archway Publishing

Review Posted Online: May 2, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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