Useful as bibliotherapy for siblings and classmates of children with autism, this effort also crosses over to readers who...
Arthur struggles to deal with his seemingly on-the-spectrum younger brother, Liam—until a friendly polar bear, Mister P., arrives to help.
Liam melts down in difficult situations, leaving Arthur feeling self-conscious and embarrassed. His parents’ somewhat heavy-handed and not especially sensitive management of Arthur’s issues has left him bitter and sad. He’s in the middle of running away from home when he encounters Mister P. Although some adults are initially nonplussed to find a giant bear in their midst, they adjust very easily. Mister P. has little trouble helping Arthur accept Liam’s differences and get over his resentment, and as an added bonus, he also helps Liam cope better. As seen entirely from Arthur’s point of view, Liam and his parents are only superficially sketched, providing little insight into their thoughts and actions. Rieley’s numerous half- and full-page illustrations are a hilarious accompaniment to a tale that for the most part doesn’t take itself too seriously, even though it borders on the didactic at times. Some of the text occasionally cascades artfully down the pages, providing another amusing element to this early chapter book. Arthur and his family are depicted as white, and his teacher and best friend are illustrated as black.
Useful as bibliotherapy for siblings and classmates of children with autism, this effort also crosses over to readers who enjoy fantastical animal tales. (Fantasy. 7-10)Pub Date: Nov. 7, 2017
ISBN: 978-1-5107-2860-8
Page Count: 224
Publisher: Sky Pony Press
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Oct. 1, 2017
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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