An often engaging children’s story that starts well but might have been stronger if it were shorter.
A painting comes alive in this read-aloud picture book for children.
The book starts with a large, white canvas; soon, an artist picks up oil sticks and begins to draw a mountain, a forest, a sea and a small school of fish. The artist, who has so far been in total control of his work—a benevolent creator bringing life to a new little world—eventually notices that the fish are acting strangely. All but one are swimming furiously away from something, and it soon becomes clear that an orange finger of lava threatens not only them, but a cozy town nestled on the mountainside—and the artist fears that the entire painting may be at risk. The tone of Mackavey’s (Shared Purpose, 1997) gentle, lyrical prose effectively complements the pastels that illustrate each stage of the painting’s creation. The transition from the expected to the unexpected is smooth and intriguing; she makes every color and element of the painting its own character and elicits just enough reader concern for the fates of the fish and the houses without being too frightening. She also avoids being too literal when depicting the lava beast, showing just the head of the lava flow in swirls of brownish red oil pastels. In the text, the beast becomes sympathetic—lonely, scared and unsure of himself. He longs for the houses’ cozy, well-lit interiors and eventually comes to rest, cooling finally into rock against the edge of the village. This would have been a fine place to end this sweet story, but it continues instead with the lava beast’s dream—a confusing, abstract depiction of a volcanic eruption, which segues into the artist’s waking up from his own dream, a device that unfortunately doesn’t serve the first half of the story well. Overall, this book falls between genres, as it may be too long to read to most toddlers but too slow and simple to grab older children’s interest.
An often engaging children’s story that starts well but might have been stronger if it were shorter.Pub Date: Feb. 27, 2013
ISBN: 978-1481720786
Page Count: 20
Publisher: AuthorHouse
Review Posted Online: Oct. 18, 2013
Review Program: Kirkus Indie
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An exquisitely original celebration of American Blackness.
A potent series of “notes” paints a multidimensional picture of Blackness in America.
Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.
An exquisitely original celebration of American Blackness.Pub Date: April 25, 2023
ISBN: 9780374604486
Page Count: 392
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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