There’s no upstairs or downstairs backstage. The show must go on.

DEATH OF A SHOWMAN

Backing a theatrical extravaganza has serious consequences for a New York socialite and her maid in 1914.

The news that songwriter Leo Hirschfeld, her former not-quite-boyfriend, is rehearsing a Broadway-bound play gives lady’s maid Jane Prescott a pleasant tingle, followed by a heart-wrenching thud at the news that Two Loves Have I features the lovely Violet Tempest, who's now Leo’s wife. After lady of the house Louise Tyler warns the rest of the staff to be mindful of Jane’s tender feelings, the young matron is intrigued when Leo turns up to see not Jane, but Louise herself. Hoping to interest her in making a modest investment, the enterprising young man invites her to a rehearsal. Since propriety demands that Louise can’t be backstage alone at a place as disreputable as a theater, Jane accompanies her. As her employer falls head over heels for the magic of the stage and invests in the show, Jane develops a grudging affection for the theater folk, befriending over-the-hill comedian Roland Harney and his dog, Peanut. She especially appreciates the faces behind the scenes, from Harriet Biederman, who keeps the show’s complicated finances straight, to Adele St. John, whose costumes make Violet and leading lady Blanche Arden into the magical creatures they appear onstage. The person Jane bonds with least is producer Sidney Warburton. So she feels no great loss when the tyrannical moneyman is shot dead in the men’s room at Rector’s, where the cast is having a late supper. It’s only when Detective Harrison J. Fullerton begins to ask pointed questions about Leo’s relationship with Warburton that Jane realizes the full impact of the murder on both her newfound theater friends and her faithful employer.

There’s no upstairs or downstairs backstage. The show must go on.  

Pub Date: April 13, 2021

ISBN: 978-1-2502-1090-6

Page Count: 288

Publisher: Minotaur

Review Posted Online: Dec. 25, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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As attuned as always to current geopolitical concerns, but substantially less compelling than Silva's previous novels.

THE CELLIST

Gabriel Allon goes after the deadliest weapon at the Russian president’s disposal—his money.

When CIA agent–turned–art dealer Sarah Bancroft finds the dead body of Viktor Orlov, a wealthy newspaper publisher and Russian dissident, the grim discovery leads Gabriel Allon, the head of Israel’s intelligence service, to a treasure trove of documents detailing massive financial crimes. Once he tracks down the woman who leaked these documents, Gabriel may finally have the tools he needs to take down the autocrat in the Kremlin. “A nuclear bomb can only be dropped once. But money can be wielded every day with no fallout and no threat of mutually assured destruction.” This bit of wisdom comes from a Russian operative Gabriel captured in The Other Woman (2018), and Silva makes a persuasive case that the best way to neutralize the threat of troll farms and disinformation campaigns is to starve these operations of cash. But this is a thriller, not an essay in Foreign Policy. It turns out that money laundering isn’t inherently exciting, and Silva does little to make it so. Identifying the shadowy figure who manages the Russian president’s fortune is easy, as is infiltrating his world. All the characters in this universe are types, but most of them are crafted with verisimilitude sufficient to keep the reader engaged. The titular cellist, Isabel Brenner, is a beautiful blond blank. It’s not at all clear why she makes the transition from functionary at a dirty bank to amateur spy willing to risk her life to ruin oligarchs. In previous novels, Silva wove in chapters written from the points of view of the bad guys. This technique creates dramatic irony, and it has given us some truly terrific villains—horrifying sadists and gleeful monsters of corruption who make excellent foils for the nearly superhuman Gabriel. Past installments have also given Gabriel's team more to do, and it’s impossible not to miss them and their spycraft.

As attuned as always to current geopolitical concerns, but substantially less compelling than Silva's previous novels.

Pub Date: July 13, 2021

ISBN: 978-0-06-283486-7

Page Count: 480

Publisher: Harper

Review Posted Online: July 15, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.

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PEOPLE WE MEET ON VACATION

A travel writer has one last shot at reconnecting with the best friend she just might be in love with.

Poppy and Alex couldn't be more different. She loves wearing bright colors while he prefers khakis and a T-shirt. She likes just about everything while he’s a bit more discerning. And yet, their opposites-attract friendship works because they love each other…in a totally platonic way. Probably. Even though they have their own separate lives (Poppy lives in New York City and is a travel writer with a popular Instagram account; Alex is a high school teacher in their tiny Ohio hometown), they still manage to get together each summer for one fabulous vacation. They grow closer every year, but Poppy doesn’t let herself linger on her feelings for Alex—she doesn’t want to ruin their friendship or the way she can be fully herself with him. They continue to date other people, even bringing their serious partners on their summer vacations…but then, after a falling-out, they stop speaking. When Poppy finds herself facing a serious bout of ennui, unhappy with her glamorous job and the life she’s been dreaming of forever, she thinks back to the last time she was truly happy: her last vacation with Alex. And so, though they haven’t spoken in two years, she asks him to take another vacation with her. She’s determined to bridge the gap that’s formed between them and become best friends again, but to do that, she’ll have to be honest with Alex—and herself—about her true feelings. In chapters that jump around in time, Henry shows readers the progression (and dissolution) of Poppy and Alex’s friendship. Their slow-burn love story hits on beloved romance tropes (such as there unexpectedly being only one bed on the reconciliation trip Poppy plans) while still feeling entirely fresh. Henry’s biggest strength is in the sparkling, often laugh-out-loud-funny dialogue, particularly the banter-filled conversations between Poppy and Alex. But there’s depth to the story, too—Poppy’s feeling of dissatisfaction with a life that should be making her happy as well as her unresolved feelings toward the difficult parts of her childhood make her a sympathetic and relatable character. The end result is a story that pays homage to classic romantic comedies while having a point of view all its own.

A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.

Pub Date: May 11, 2021

ISBN: 978-1-9848-0675-8

Page Count: 384

Publisher: Berkley

Review Posted Online: March 3, 2021

Kirkus Reviews Issue: March 15, 2021

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