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ANIMAL MASQUERADE

A good choice for imaginative animal lovers.

Animals everywhere, all in disguise!

It’s time for the animal masquerade, and lion begins considering his costume. He settles on…an elephant. But what will the elephant be? A parrot. And which costume will the parrot choose? A turn of the page reveals all. Simple text, translated from French, accompanies inventive colored-pencil illustrations of an assortment of animals in and out of costume on white backgrounds. At times, the typography cleverly changes to reflect the costume (the word "bat" is upside down, and the letters in "ostrich" sink down under the margins). For the most part, each spread features an animal in disguise and then the actual animal pondering what his or her costume should be, though there are exceptions. A turtle dresses as Little Red Riding Hood, who in turn dresses as a chocolate cake, a dessert the bear loves, for instance. The text is clear but somewhat extraneous, existing primarily to provide a context for the illustrations. The choice of animals feels haphazard (gorilla, armadillo, chicken and unicorn, to name a few), and while this makes for quirky and amusing pictures, it takes away from the general coherence of the story, such as it is. That said, the pictures are colorful, appealing and childlike, and youngsters will enjoy the gentle humor of the images while considering which animal they’d like to be; the costumes themselves seem like they would be fairly easy to re-create.

A good choice for imaginative animal lovers. (Picture book. 2-5)

Pub Date: March 1, 2012

ISBN: 978-1-55453-782-2

Page Count: 120

Publisher: Kids Can

Review Posted Online: Jan. 17, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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