A dying child is the stuff of true tragedy, and indeed there is much crying, but the many discussions and deconstructions of...
A sad story about a dying child and an accused mother that too often veers into sentimentality.
Grace Connolly is described as a heroic mother. Her three-year-old, Jack, is terminally ill with mitochondrial disease, and she is his dedicated caretaker. But she’s far from the perfect wife to good guy Stephen. Grace has been having an affair with ornithologist Noah, her first love from 20 years ago. The fragile balance Grace has created, keeping Jack happy and alive and keeping Stephen from finding out about the joy she has with Noah, is shattered when she is accused of hurting Jack. Grace discovers there is an open file on her from Child Protection Services investigating the possibility that she has Munchausen Syndrome by Proxy, a rare psychological disorder causing parents (usually mothers) to make their children ill, even kill them, for sympathy and attention. Unfortunately, Grace fits the profile, such as it is: She is overly expert in medical terminology (though she’s an epidemiologist); she’s friendly with the hospital staff; she’s vigilant about seeking treatments for her son. These behaviors (and others) hardly seem conclusively harmful, which brings Fischer to her novel’s interesting proposal—that Munchausen is nothing less than a 21st-century witch-hunt. Grace has a friend who happens to be an expert on the Salem witch trials, and the two begin drawing links between these two phenomena, both of which demonize women. Grace is terrified that the state will take Jack into protective custody, and maybe even take her two older children away. Also a concern is that Stephen will find out about Noah—the report suspects her of adultery, another indicator of Munchausen deceitfulness. Although it is unclear as to how Grace is supposed to be making Jack sick (his disease is genetic, well-documented and indisputably terminal), the novel’s flaw lies less in the particulars than in the tone.
A dying child is the stuff of true tragedy, and indeed there is much crying, but the many discussions and deconstructions of grief somehow negate its impact.Pub Date: March 6, 2007
ISBN: 0-7432-9328-2
Page Count: 336
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2007
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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