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CUPID AND PSYCHE

Craft's first book is a retelling of the famous story of Psyche, who is so beautiful that Venus, the goddess of beauty, is jealous. She sends her son, Cupid, to punish the mortal, but he falls in love with her. When Psyche fails to trust that love, she must perform seemingly impossible tasks to win Cupid back. The text flows smoothly and retains a touch of formality, giving the story a suitably ancient resonance. The radiant oil- over-watercolor paintings are exquisitely detailed, filled with intricacies that reward long and careful scrutiny. The design of the book is meticulous, from an unusual, yet readable, typeface to the ornate borders, some of which resemble gold jewelry more than paintings. (Picture book/folklore. 6-8)

Pub Date: June 1, 1996

ISBN: 0-688-13163-8

Page Count: 40

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1996

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YOU ARE MY PUMPKIN

While this is not an essential purchase, most little pumpkins will love being told, “Baby, I'm batty for you!” (Board book....

Young children won't understand the metaphors but will appreciate the sentiment made clear by the repeated, Halloween-themed declarations of love in Wan's latest board book.

Each of the seven spreads presents an endearment illustrated by an object drawn with heavy outlines and just enough detail to invoke its essential characteristics. Lest it become too maudlin, between the “sugary, sweet candy corn” and a “purr-fect, cuddly kitty” is a “wild, messy monster.” Wan manages to make each drawing expressive and distinctive while relying on just a few shapes—crescents or circles for eyes, dots or ovals accenting cheeks. Although each spread stands alone, there are quiet connections. For example, the orange of the pumpkin is repeated in the candy corn, and the purple that adorns kitty's hat and bow becomes the prominent color on the next spread, setting off the friendly white ghost nicely. The same purple is used for the spider's body on the next to last spread. Subtle, shadowed backgrounds repeat the patterns found elsewhere in the book. For example, the background of the page with the kitty includes pumpkins, hearts, and hats and bows like the ones kitty is wearing.

While this is not an essential purchase, most little pumpkins will love being told, “Baby, I'm batty for you!” (Board book. 6 mos.-3)

Pub Date: June 28, 2016

ISBN: 978-0-545-88092-3

Page Count: 14

Publisher: Cartwheel/Scholastic

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: July 1, 2016

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GINGERBREAD BABY

In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)

Pub Date: Oct. 1, 1999

ISBN: 0-399-23444-6

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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