In this debut novel, McKeon traces a young woman’s post-traumatic stress disorder.
After being raped on her Pennsylvania college campus, Quinn Carlisle testifies at her attacker’s trial. Although he’s convicted, he’s mysteriously set free. Sometimes, Carlisle tells her tale to anyone who will listen; at other times, she can’t bring herself to talk about it, even with a girl who was recently raped herself. She thinks that her guilt and anxiety are under control for nearly a decade; one day, however, she leaves her boyfriend to strike out on her own. In her new apartment in Maryland, she meets Joe Armstrong, a helpful man who will go on to play a pivotal role in her life. The trauma continues to haunt her, however, until the murder of a woman in another state forces her to again confront her assailant and her own fragile psyche. While watching the news one night, Carlisle sees a story about a woman found murdered in a state park. She has the same word carved in her arm (“NOTHING”) as Carlisle’s assailant carved into hers. At the same time, she receives an ominous phone call that could well be Dennis Price, the man who raped her. Armstrong convinces her to go to the police, but when they seem disinterested, he and Carlisle start playing detective themselves. This well-plotted tale, written in a seemingly effortless style, initially seems to be a chronicle of Carlisle’s PTSD, but it slowly blossoms into a complex crime drama with an array of fascinating characters. McKeon alternates between the 1987 rape and the late ’90s, slowly fleshing out the incident and the details of Carlisle’s current life. She then introduces more characters that Carlisle doesn’t know. A man named Billy O’Brien, for instance, is shown drinking himself to death in a sleazy hotel room when he learns that the case of his brother’s murder is being reopened because the judge was found to be on the take; before long, his life intertwines with Carlisle’s. This fine novel will keep readers guessing—even about the good guys’ motives.
Fans of crime fiction, mysteries and psychological thrillers will love this tightly written portrayal of PTSD and redemption.
Pub Date: July 13, 2014
ISBN: 978-0990433828
Page Count: 326
Publisher: White Bird Publishing
Review Posted Online: July 29, 2014
Kirkus Reviews Issue: Sept. 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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