by Marie NDiaye ; translated by Jordan Stump ‧ RELEASE DATE: Sept. 8, 2020
Part ghost story, part satiric horror, this gorgeously eerie book will keep you holding your breath even past the end.
A Parisian family that summers each year in a small village learns the hard way they have overstayed their welcome in this deeply unsettling and slippery novella.
On Sept. 1, Herman embarks on a search for his wife, Rose, and their son, who had gone to the neighboring farmhouse to pick up eggs and not returned. Never having stayed past the end of August before, he is shocked by the sudden turn in the weather from sunny and temperate to cold and rainy literally overnight, a pathetic fallacy and our first introduction to the village as a character of menacing proportions, populated by disturbing residents, all of whom slide sideways around Herman’s ever increasing anxiety in charming, yet frighteningly empty, ways. When he seeks out the village’s mayor to tell him what's going on, he meets Alfred, the president of the Chamber of Commerce, who turns out to be a former Parisian who also once stayed past summer’s end. Alfred takes Herman on as a project, vowing to turn him into a local, and sets Herman on a path where he must find a way to withstand the unending gray, stormy landscape or simply melt away. As he attempts to navigate the village’s internal politics and strangely archaic rituals with Alfred’s help, he falls helplessly into its life as if tumbling down a rabbit hole into Wonderland, his urgency slowly transforming to inert apathy. When he finally learns what happened to his wife and child, he ends up with more questions than answers. Utterly compelling in tone, plot, and style, this slim, sleek story has a veneer of sly sophistication that belies the horror of malignancy within the village and Herman himself.
Part ghost story, part satiric horror, this gorgeously eerie book will keep you holding your breath even past the end.Pub Date: Sept. 8, 2020
ISBN: 978-1-931883-91-7
Page Count: 128
Publisher: Two Lines Press
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Marie NDiaye ; translated by Jordan Stump
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by Marie NDiaye ; translated by Jordan Stump
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by Marie NDiaye ; translated by Jordan Stump
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PERSPECTIVES
PERSPECTIVES
by Claire Lombardo ‧ RELEASE DATE: June 25, 2019
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
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SEEN & HEARD
by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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