Good escape reading in this tale of love and tough decisions in Venice.

BENEATH THE LION'S WINGS

In Nardin’s romance, a young woman’s life radically changes when she decides to leave America for Venice and a handsome gondolier.

Victoria Greco, 30, leads a busy life as executive assistant to a high-powered Hollywood talent agent and hopes to break into agenting herself. On a rare vacation, Victoria visits Venice, Italy, where a muscular, golden-haired young man named Alvise Moro serves as her gondolier. Although he has a degree in Italian literature, Alvise comes from four generations of gondoliers, and there’s no job he’d rather do. They’re immediately and mutually attracted; though Victoria is usually cautious, she tells herself “I’m on vacation. Why not enjoy a little romance?” Though Victoria doesn’t consider Alvise her dream guy (“The man she’d marry would have to be a successful business man to compliment [sic] her own desired success”), she misses him terribly in California. Before long, one door opens as another closes. Alvise visits and proposes to Victoria just as her boss gives the bad news: no promotion this year. Marrying a man she barely knows, moving to Venice, and giving up her career might not make sense, but “there was no negotiating with the heart.” Naturally, nothing is as easy as Victoria had hoped, and she must tackle several obstacles on the way to giving her heart what it wants. In her well-researched debut novel, Nardin does a fine job evoking Venice’s atmosphere, culture, and history. The particular practices and customs of gondoliering, along with women’s efforts to enter the profession, make for absorbing reading. Victoria’s new job—selling high-end jewelry—is also enjoyably luxurious. Given the highly romanticized love affair, the book benefits from its grounding in realistic conflicts that arise from Victoria’s situation, whether it’s the constant secondhand smoke in Europe, a critical Italian mother-in-law, or dealing with international law. Even so, it’s more than a little hard to accept that an ambitious career woman who’s always valued material success would so suddenly and completely change her plans, giving up a great deal of personal autonomy, privacy, and power.

Good escape reading in this tale of love and tough decisions in Venice.

Pub Date: Feb. 6, 2018

ISBN: 979-1-2200259-0-4

Page Count: 422

Publisher: Waterline Publishing

Review Posted Online: Jan. 9, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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