Uncommon elements give this time-travel novel a charming spin.

THE GIRL FROM THE ATTIC

After moving to a new house, a girl finds a portal to its previous residents from a century ago.

Not only has Maddy’s mom remarried and gotten pregnant, but Dan, her new, annoying stepdad, has moved them from Toronto to an old octagonal house in the countryside. On the mend from a bad bout of bronchitis and still tackling her asthma, the tween begins exploring her unusual house. A black cat helps her discover a door in the woodshed’s loft, and once opened, it becomes a portal from her present in 2001 to the house’s previous residents, nearly 100 years earlier. Through numerous trips back and forth between these time periods, Maddy observes Eva, a girl with consumption, and meets Eva’s brother, Clarence, who goes by Clare. In this quiet and evenly paced blend of fantasy and historical fiction, Maddy notes the similarities between Eva’s and her own health conditions and becomes determined to work with Clare to save Eva. A soap-making scheme introduces readers to farm life at the beginning of the 20th century. But as problems also mount in her own time, Maddy realizes that she’s been neglecting the real people who need her most. Although never didactic, this gentle narration, enhanced with quaint black-line drawings, emphasizes building family relationships and accepting responsibility for one’s actions. Characters follow a White default.

Uncommon elements give this time-travel novel a charming spin. (Fantasy. 8-12)

Pub Date: Oct. 1, 2020

ISBN: 978-1-988761-51-0

Page Count: 222

Publisher: Common Deer Press

Review Posted Online: Aug. 18, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Falters in its oversimplified portrayal of a complicated region and people.

GROUND ZERO

Parallel storylines take readers through the lives of two young people on Sept. 11 in 2001 and 2019.

In the contemporary timeline, Reshmina is an Afghan girl living in foothills near the Pakistan border that are a battleground between the Taliban and U.S. armed forces. She is keen to improve her English while her twin brother, Pasoon, is inspired by the Taliban and wants to avenge their older sister, killed by an American bomb on her wedding day. Reshmina helps a wounded American soldier, making her village a Taliban target. In 2001, Brandon Chavez is spending the day with his father, who works at the World Trade Center’s Windows on the World restaurant. Brandon is heading to the underground mall when a plane piloted by al-Qaida hits the tower, and his father is among those killed. The two storylines develop in parallel through alternating chapters. Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11. However, this nuance doesn’t extend to the Afghan characters; Reshmina and Pasoon feel one-dimensional. Descriptions of the Taliban’s Afghan victims and Reshmina's gentle father notwithstanding, references to all young men eventually joining the Taliban and Pasoon's zeal for their cause counteract this messaging. Explanations for the U.S. military invasion of Afghanistan in the author’s note and in characters’ conversations too simplistically present the U.S. presence.

Falters in its oversimplified portrayal of a complicated region and people. (author’s note) (Fiction. 9-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-24575-2

Page Count: 336

Publisher: Scholastic

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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The young folk and (of course) the animals are engagingly wrought in this tale with a strong ecological message.

WILLODEEN

An orphan loner’s small town faces a hard future after it unwittingly disrupts a natural cycle.

Willodeen is lucky that elderly retired thespians Mae and Birdie took her in after the wildfire that killed her parents and brother, not only because they’re a loving couple, but because they let her roam the woods in search of increasingly rare screechers—creatures so vile-tempered and stinky that the village elders of Perchance have put a bounty on them. The elders have other worries, though: The migratory hummingbears that have long nested in the area, drawing tourists to the lucrative annual Autumn Faire, have likewise nearly vanished. Could there be a connection? If there is, Willodeen is just the person to find it—but who would believe her? Applegate’s characters speak in pronouncements about life and nature that sometimes seem to address readers more than other characters, but the winsome illustrations lighten the thematic load. Screechers appear much like comically fierce warthogs and hummingbears, as small teddies with wings. Applegate traces a burgeoning friendship between her traumatized protagonist and Connor, a young artist who turns found materials into small animals so realistic that one actually comes to life. In the end, the townsfolk do listen and pitch in to make amends. Red-haired, gray-eyed Willodeen is cued as White; Connor has brown skin, and other human characters read as White by default.

The young folk and (of course) the animals are engagingly wrought in this tale with a strong ecological message. (Eco-fantasy. 8-12)

Pub Date: Sept. 7, 2021

ISBN: 978-1-250-14740-0

Page Count: 272

Publisher: Feiwel & Friends

Review Posted Online: July 13, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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