THE WORLDWIDE CHURCH OF THE HANDICAPPED

AND OTHER STORIES

Williams, who was a social worker for 20 years, creates a self-modeled protagonist in this debut collection—a semiautobiographical gathering of 15 interrelated stories. The author has an ultracasual, conversational tone and a quirky sense of humor that infuse the best of these pieces; when her wit and low-key style fail her, though, the pieces seem merely didactic. The first, the title story, introduces the narrator, Joan, and her best friend Evangeline ``Vange'' Kuhlman—both social workers at a rehabilitation agency for the blind. The special friendship between the two becomes a focal point of the tales; the theme of universal disability becomes another, as Joan, who, among other things, suffers from tendinitis, respiratory problems, and insomnia, and Vange, who is blind and obese, triumph over their personal obstacles to help others understand that a handicap is only a handicap when you allow it to be one. ``Miracle'' is more a musing than a story (which Williams herself points out in another, referential piece), this concerning Joan's distaste for dwarves, who ``freak [her] out.'' More successful is ``Ho-Ghay-Loo-Ees-Bor- G-Hais,'' a both literary and clever piece in which the narrator/author manages to make Borges accessible and comprehensible in just a few brushstrokes. In the concluding story, ``Book of Dreams,'' however, Williams goes sappy with strained folksy references to Pete Seeger, Joan Baez, and Woody Guthrie (``All of the secret dreams and their dreamers clasp hands in a long chain . . . and we dance''). The overarching theme is clearly that all of us are handicapped in some way, and that it's wisest to accept our traits, no matter how ``society'' perceives them, and embrace them as essential to our true selves. The line here between fiction and autobiography is too often blurred, with Joan seeming more mouthpiece than fleshed-out, convincing character.

Pub Date: June 1, 1996

ISBN: 1-56689-047-0

Page Count: 224

Publisher: Coffee House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1996

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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