A beautifully bound, impressive collection with language as evocative as its illustrations.

THE ANTIGONE POEMS

Rich in allegory and metaphor, this illustrated collection of poetry explores the tragedy of Antigone, the defiant woman of Greek myth.

With a strong first-person narrative, the collection is divided into five chapters featuring fragmented poems that explore love, loss, passion and pain through Antigone’s eyes. The book opens with a riveting prelude: “And sing / my bitter praises / to nails / and flint / and flesh.” As the collection moves forward, Slaight continues with poems that are spare yet precise in their language and construction. The first chapter introduces Antigone as a woman awakening, through pain, to her senses as well as to her vulnerability and power: “The passion comes angrily…then the awakening of all senses, nerves—open, alive, tingling.” However, there’s no consistent narrative thread to follow through the collection; rather, fragments and images capture Antigone’s journey. Some of the stronger lines focus on her insight into her role as a rebel: “All love pains / Are an aged protest / Wanting fresh surge; / Decrying the ancient throb / Of memories.” Slaight’s poems also use this close first-person perspective to unpack Antigone’s struggle for independence and identity as a woman—“Fought order, limits, time.” It is not exactly clear why Slaight focuses more on Antigone’s suffering and less on her rebellion from Creon, ruler of Thebes, though a later chapter provides a transition into her exile: “I walk on blood / I carve a vein / I bear sons / In exile / I carry screams / I seek revenge / I await return / In exile.” Throughout, Tasker’s haunting charcoal drawings reflect the tone of anguish and despair in Slaight’s poetry.

A beautifully bound, impressive collection with language as evocative as its illustrations.

Pub Date: Jan. 15, 2014

ISBN: 978-0980644708

Page Count: 100

Publisher: Altaire Production & Publication

Review Posted Online: Aug. 16, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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A virtuoso performance and an ode to an undervalued medium created by two talented artists.

A WEALTH OF PIGEONS

A CARTOON COLLECTION

The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.

HUMANS OF NEW YORK

STORIES

Photographer and author Stanton returns with a companion volume to Humans of New York (2013), this one with similarly affecting photographs of New Yorkers but also with some tales from his subjects’ mouths.

Readers of the first volume—and followers of the related site on Facebook and elsewhere—will feel immediately at home. The author has continued to photograph the human zoo: folks out in the streets and in the parks, in moods ranging from parade-happy to deep despair. He includes one running feature—“Today in Microfashion,” which shows images of little children dressed up in various arresting ways. He also provides some juxtapositions, images and/or stories that are related somehow. These range from surprising to forced to barely tolerable. One shows a man with a cat on his head and a woman with a large flowered headpiece, another a construction worker proud of his body and, on the facing page, a man in a wheelchair. The emotions course along the entire continuum of human passion: love, broken love, elation, depression, playfulness, argumentativeness, madness, arrogance, humility, pride, frustration, and confusion. We see varieties of the human costume, as well, from formalwear to homeless-wear. A few celebrities appear, President Barack Obama among them. The “stories” range from single-sentence comments and quips and complaints to more lengthy tales (none longer than a couple of pages). People talk about abusive parents, exes, struggles to succeed, addiction and recovery, dramatic failures, and lifelong happiness. Some deliver minirants (a neuroscientist is especially curmudgeonly), and the children often provide the most (often unintended) humor. One little boy with a fishing pole talks about a monster fish. Toward the end, the images seem to lead us toward hope. But then…a final photograph turns the light out once again.

A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.

Pub Date: Oct. 13, 2015

ISBN: 978-1-250-05890-4

Page Count: 432

Publisher: St. Martin's

Review Posted Online: July 28, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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