A heartfelt but ultimately tedious journey of discovery for two corporate execs who shuck the rat race and hit the road. The whirl of publishing had finally gotten to Abraham (most recently vice president and editor in chief at Simon & Schuster Trade Paperbacks) and her husband, Sandy. They wanted to scale back, grab ahold of their lives. They bought an RV (Abraham never claims to be another Kerouac, and besides, Sandy had once contracted armpit crabs in an Alaskan dive, so they wanted a secure cocoon), rented out their home, and pointed west by northwest. What follows is the story of their trip from New York City to Alaska, then back to the East Coast. Abraham might have hoped that rubbing lunchtime shoulders with writers would transmit some of their magic to her, but it didn't. Her writing is self-conscious and clunky, though also disarmingly, agreeably frank, her regional impressions worn right there on her sleeve. She conveys an urbanite's surprised thrill at Manitoba's checkered plains and falls deeply in awe of Alaska's grandness, which leads her to tune in to the music of the spheres, to feel time expand. Abraham expands as well, delighting in the pleasures of her mate, food, and corporate-world-bashing. But as she tends south and east, the old bogeymen haunt her again: where to live, how to pay the bills. Westward she searched for circadian rhythms, eastward she scours real estate, the escapee becoming the wanabee. Colorado? Santa Fe? No longer kicked-back or wide-eyed, Abraham is as frantic to find a new home as she ever was back at the salt mines, the leaden prose whining and grating, her urgency without appeal. Abraham the dreamer felt cut from honest cloth; Abraham the overachiever, who has won out by book's end, is a bad copy.
Pub Date: Feb. 1, 1997
ISBN: 0-440-50757-X
Page Count: 224
Publisher: Dell
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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