The search for personal identity and romance are common themes of many YA novels. In a reveling portrait of two sisters and their ambivalent relationship, this story brings a fresh perspective to the roles of dominance and love, power and weakness in the family. Penny's worship of her smart, popular older sister Cass is extreme; as the baby sister she exists on the excitement of reading Cass' diary and comforting Gary, Cass? steady boyfriend, during the couple's frequent quarrels. Cass, the center of the household, periodically tries to get Penny to work harder on homework and dress in outrageous styles. But Cass does dole out some good advice when she tells Penny, "You can't ever be like somebody else. You have to find out what the real you is and let it all hang out. You have to take a few chances." The trouble begins when Penny, discovering a skill and interest in sewing, develops a romance with Gary after Cass leaves for college. Cass lets Penny clown when the younger girl visits her sister at Harvard to get advice—the Final shattering of Penny's illusions about her "wonder-ful" older sister. When Penny announces her engagement to Gary, Cass blows up and reveals her need for Penny's adoration and praise. Characters are well developed, and the truth that one can't copy another's personality is an important one for teen readers. In her diary in a moment of lucid self-knowledge, Cass writes, "I'm not perfect. I'm arrogant, inconsiderate and intolerant. But I want my life to expand outside of myself I want my work to be more than me." Young readers may not understand the irony of such a selfish character holding such grandiose goals. But it is in the humanity of these characters and their contradictions, as well as their values, that Sachs has made an ordinary story extraordinary.
Pub Date: Jan. 1, 1986
ISBN: 0192716921
Page Count: 149
Publisher: Dutton
Review Posted Online: May 8, 2012
Kirkus Reviews Issue: Jan. 1, 1986
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.
Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.
“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)Pub Date: Sept. 5, 2017
ISBN: 978-1-5247-6456-2
Page Count: 32
Publisher: Random House
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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