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INNOCENT WITNESSES

CHILDHOOD MEMORIES OF WORLD WAR II

An ever timely account of the traumas that conflict imposes upon children and how they reverberate through time.

A moving anthology of firsthand accounts of childhood experiences during World War II.

This collection is being published just over a year after Yalom’s passing; the text was edited by the author’s son, Ben. “Each of the stories,” writes the author in the introduction, “presents a micro-history of World War II as filtered through a child’s sensibility, and each draws us into the world of a particular child.” Because the narratives, which span Europe and the U.S., draw on previously published memoirs by each of the seven subjects (including Yalom), this book functions as something of a summary, via literature, of personal WWII memories. Due to the focus on children’s perspectives, the stories are light on political and socio-economic analysis of the historical period they depict, but each contributor provides a vivid, harrowing window into how those years felt to them. It’s clear that Yalom is interested in how feeling is registered in memory. “What we ‘choose’ to remember is more than the incident itself; it is also the accompanying affect,” she writes. Though the accounts fail to adequately address the colonial context out of which WWII arose, the on-the-ground impressions are consistently memorable. Throughout, Yalom’s dedication to feminism is evident, as the book offers sharp descriptions of how women were treated during and after the war, including those who were punished for their relationships with soldiers in the occupying army. Especially informative is Winfried Weiss’ account of growing up in Germany and witnessing how anti-Semitic tropes were disseminated by the media’s propaganda machine across generations. For the victims of the Nazis, a recurring theme is the trauma of being separated from parents and hearing about the deaths of relatives in concentration camps. In her foreword, novelist Meg Waite Clayton delivers a gracious tribute to Yalom and her work.

An ever timely account of the traumas that conflict imposes upon children and how they reverberate through time.

Pub Date: Jan. 12, 2021

ISBN: 978-1-5036-1365-2

Page Count: 224

Publisher: Redwood Press/Stanford Univ.

Review Posted Online: Oct. 14, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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