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TELL US WE'RE HOME

It’s the typical story of middle school BFFs—all immigrants. Ridiculously, unfairly, that makes all the difference in the lives of Lola from Slovakia, Maria from Mexico and Jaya from Trinidad. The daughters of maids and nannies, these eighth graders navigate young adulthood in an upscale suburb. Though their concerns include everyday American adolescent angst (having the right dress for the dance, not doing as well in class as the mean girl), the girls also confront race and class privilege. Jaya’s mother is accused of theft, Maria’s cousin might be imprisoned and Lola’s engineer father can’t get work. A fight leaves the girls not on speaking terms at the worst possible time, as town feeling heats up against those people, the ones who play soccer instead of lacrosse and have too-large families. Though the narrative is clearly ideological (perhaps drawing on Budhos’s nonfiction Remix: Conversations with Immigrant Teenagers, 1999), the heartwarming friendship overcomes any polemic. These fully realized heroines are full of heart, and their passionate struggles against systemic injustice only make them more inspiring. Keenly necessary. (Fiction. 12-15)

Pub Date: May 4, 2010

ISBN: 978-1-4169-0352-9

Page Count: 304

Publisher: Atheneum

Review Posted Online: Dec. 28, 2010

Kirkus Reviews Issue: April 1, 2010

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BRONX MASQUERADE

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...

This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.

The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)

Pub Date: Jan. 1, 2001

ISBN: 0-8037-2569-8

Page Count: 176

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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NEVER FALL DOWN

Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers...

A harrowing tale of survival in the Killing Fields.

The childhood of Arn Chorn-Pond has been captured for young readers before, in Michelle Lord and Shino Arihara's picture book, A Song for Cambodia (2008). McCormick, known for issue-oriented realism, offers a fictionalized retelling of Chorn-Pond's youth for older readers. McCormick's version begins when the Khmer Rouge marches into 11-year-old Arn's Cambodian neighborhood and forces everyone into the country. Arn doesn't understand what the Khmer Rouge stands for; he only knows that over the next several years he and the other children shrink away on a handful of rice a day, while the corpses of adults pile ever higher in the mango grove. Arn does what he must to survive—and, wherever possible, to protect a small pocket of children and adults around him. Arn's chilling history pulls no punches, trusting its readers to cope with the reality of children forced to participate in murder, torture, sexual exploitation and genocide. This gut-wrenching tale is marred only by the author's choice to use broken English for both dialogue and description. Chorn-Pond, in real life, has spoken eloquently (and fluently) on the influence he's gained by learning English; this prose diminishes both his struggle and his story.

Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers will seek out the history themselves. (preface, author's note) (Historical fiction. 12-15)

Pub Date: May 8, 2012

ISBN: 978-0-06-173093-1

Page Count: 224

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: March 20, 2012

Kirkus Reviews Issue: April 15, 2012

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