by Marina Fiorato ‧ RELEASE DATE: June 2, 2009
Despite some awkward POV shifts, the action proceeds briskly, with just enough technical and period detail to sustain...
First novel melds the stories of a 17th-century master craftsman and his modern-day descendant.
Born in Venice, the product of her mother’s short-lived marriage to vaporetto boatman Bruno Manin, Leonora was raised in England. Now in her mid-30s, Leonora has returned to Venice, fleeing her broken marriage, destroyed by too many futile courses of IVF and by her husband’s infidelity. Leonora uses her divorce settlement to launch two long-deferred quests: to learn more about her late-Renaissance forbear, renowned glassblower Corradino Manin, and to become a Venetian glass maestra herself. First stop: the Isle of Murano, still Venice’s main hub of artisanal glass. In Corradino’s day, craftsmen were sequestered on Murano to prevent them from communicating the secrets on which Venice’s glass monopoly depended. Leonora lands an apprenticeship in the fornace (glass atelier) of Adelino. But Roberto, descended from another fabled Murano glass man, Giacomo del Piero, uses her male colleagues’ gender bias against her. Sexy policeman Alessandro insinuates himself into Leonora’s bed, then goes intermittently AWOL. Desperate to increase sales, Adelino hires a PR crew to capitalize on the Manin cachet, using photogenic Leonora (repeatedly described as a Botticelli-blonde beauty) as a spokeswoman. The campaign backfires when Alessandro’s ex-girlfriend, a tabloid reporter, interviews Roberto, who claims that Corradino sold Venice’s glass formula to France, betraying his teacher and protector, Giacomo del Piero. Now happily pregnant but unemployed, Leonora must rehabilitate the Manin name by proving Corradino wasn’t a traitor. Corradino’s story alternates with Leonora’s. Sole survivor of a noble family massacred by the Doge’s enforcers, The Ten, Corradino, oppressed by constant surveillance, steals away to France to create Louis XIV’s hall of mirrors at Versailles. But can he save his mentor, del Piero, and his secret daughter, Leonora, if The Ten tracks him down?
Despite some awkward POV shifts, the action proceeds briskly, with just enough technical and period detail to sustain interest.Pub Date: June 2, 2009
ISBN: 978-0-312-38698-6
Page Count: 368
Publisher: St. Martin's Griffin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2009
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by Susan Crandall ‧ RELEASE DATE: July 2, 2013
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.
Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.Pub Date: July 2, 2013
ISBN: 978-1-4767-0772-3
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 20, 2013
Kirkus Reviews Issue: June 15, 2013
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by Anthony Doerr ‧ RELEASE DATE: May 6, 2014
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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