A bland take on a premise that Mercer Mayer has practically worn out single-handedly.
Unexceptional writing and low-wattage interactive effects send this tale of a girl and her closet monster to a back shelf.
Chloe is drawn with huge, almond eyes and placed against pastel backgrounds. She explains to readers how she cuddles, cleans up after and cares for her spidery, rubber-limbed companion (anonymous, until he’s abruptly introduced near the end as “Floyd”) before anticlimactically revealing the “little secret” that he is her friend—a fact which she had previously mentioned anyway on the second screen. Toothy Floyd is appealing, with his little horns and big, googly eyes, and he makes a variety of amusing noises when he is tapped, from Donald Duck–like mutterings to gentle boinks. Unfortunately, he is not enough to sustain even this short app. The story, which is intermittently rhymed, is read by a slightly breathless narrator in both manual and autoplay modes. Selecting the latter freezes the skimpy assortment of animations and tap-activated sound effects. The app opens with an advertisement (readers may skip past it), closes on a screen that does not allow backward swiping, and features neither a thumbnail index nor a way to set a bookmark.
A bland take on a premise that Mercer Mayer has practically worn out single-handedly. (iPad storybook app. 6-8)Pub Date: Jan. 16, 2014
ISBN: N/A
Page Count: -
Publisher: Marina Tito
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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