A lively companion to Bulent Atalay’s Math and the Mona Lisa (2004), John Barrow’s Book of Nothing (2001) and other recent...
Evolution favors symmetry. So do people. So does just about everything in the universe.
Astrophysicist Livio (The Golden Ratio, 2002, etc.), no slouch at mathematics himself, crafts an entertaining exploration of how the laws of symmetry have shaped our chaotic little world, and how they inform our appreciation of art and music. One of his great heroes is someone whom mathematicians with a historical bent know well: the French wunderkind Évariste Galois, generally held to be one of the great minds in a field dominated by great minds and the progenitor of what is now called group theory. Galois (1811–32) was a brilliantly troubled kid who loved mathematics, which returned the favor, and a woman who did not. The young genius died in a duel whose occasion has long mystified historians. His last, supremely memorable, words were: “Don’t cry, I need all my courage to die at twenty.” Before he died, however, Galois impacted the course of history. Among other accomplishments, he formed a new branch of algebra known as Galois theory. Livio’s history is elegant but, suffice it to say, not for the innumerate or the scientifically faint of heart: it helps to know something of quadratic equations and other high-order concepts that would have been second nature to Galois but are harder going for us lesser souls. Galois’s research, Livio writes, helped turn other scientists to thinking about symmetry, which led to Einstein and quantum theory and other wonders of the modern age. It’s a complicated tale, with learned asides on the nature of creativity and, in the bargain, a convincing argument many years after the fact concerning the identity of Galois’s killer.
A lively companion to Bulent Atalay’s Math and the Mona Lisa (2004), John Barrow’s Book of Nothing (2001) and other recent popular studies in mathematical thought.Pub Date: Sept. 1, 2005
ISBN: 0-7432-5820-7
Page Count: 326
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2005
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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