Montes’s vivid poem, replete with the appropriate creepiness, describes all of the usual—and some not-so-usual—Halloween suspects. Under the full moon, los gatos slink, yowl and hiss. Las brujas fly on their brooms. Los esqueletos rattle their bones. Pumpkins burn, mummies stalk, the wolfman prowls, the dead rise and ghouls and zombies march across the pages, all parading toward a haunted mansion for a monstrous ball. Eerie music resonates throughout the night, and all of the creatures begin to waltz, boogie and bop—until tres loud raps (“Rap! Rap! Rap!”) sound at the door. Who could it be? Not children trick-or-treating! Suddenly the creatures vanish. Nothing scares a monster more than human niños, particularly on Halloween. Spanish words, perfectly defined by context, flow smoothly throughout the atmospheric, rhymed text and are officially defined in an accessible glossary at the story’s end. Morales’s dark, glowing pictures of inventively proportioned ghosts and other sinister night creatures provide the ideal accompaniment. A spooky seasonal treat and a great choice for any collection. (Picture book. 6-8)
Pub Date: Sept. 1, 2006
ISBN: 0-8050-7429-5
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
Scotton makes a stylish debut with this tale of a sleepless sheep—depicted as a blocky, pop-eyed, very soft-looking woolly with a skinny striped nightcap of unusual length—trying everything, from stripping down to his spotted shorts to counting all six hundred million billion and ten stars, twice, in an effort to doze off. Not even counting sheep . . . well, actually, that does work, once he counts himself. Dawn finds him tucked beneath a rather-too-small quilt while the rest of his flock rises to bathe, brush and riffle through the Daily Bleat. Russell doesn’t have quite the big personality of Ian Falconer’s Olivia, but more sophisticated fans of the precocious piglet will find in this art the same sort of daffy urbanity. Quite a contrast to the usual run of ovine-driven snoozers, like Phyllis Root’s Ten Sleepy Sheep, illustrated by Susan Gaber (2004). (Picture book. 6-8)
Pub Date: April 1, 2005
ISBN: 0-06-059848-4
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
The creators of Punctuation Takes a Vacation (2003) sentence readers to a good time with this follow-up. Feeling left out after the children in Mr. Wright’s class thunder outside for a Field Day, the nouns and verbs left in the classroom decide to organize events of their own. But having chosen like parts of speech for partners—“Glue, Markers and Tape stuck together. Shout wanted to be with Cheer. So did Chew and Eat.”—it quickly becomes apparent that as opposing teams they can’t actually do anything. Depicting the Nouns as objects and the Verbs as hyperactive v-shaped figures, Rowe creates a set of high-energy scenes, climaxing in a Tug of Words and other contests once the participants figure out that they’ll work better mixed rather than matched. This playful introduction to words recalls Ruth Heller’s Kites Sail High (1998) and Merry-Go-Round (1990) for liveliness, and closes with several simple exercises and games to get children into the act. (Picture book. 6-8)
Pub Date: March 15, 2006
ISBN: 0-8234-1982-7
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2006
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