A GOOD HAPPY GIRL

A troubled woman, haunted by the abuses of her past, attempts to build a future that includes both punishment and forgiveness.

Helen is in her 30s, working as a low-level attorney in Boston; she often uses the office as a set for her side project running “a private social media account where [she] stream[s her] feet for women.” While the foot-fetishist camming site does occasionally lead to in-person meetups, at the novel’s opening Helen is in the market for a longer-term arrangement with Catherine and Katrina—or “the wives”—a married couple she met through an app dedicated to erotic role-play. Helen requests that the wives “mother [her] meanly,” and the symbiotic interplay they create among control, nurture, sexual pleasure, and pleasurable sexual pain fulfills the needs of all three partners. In many ways this seems like an ideal situation for Helen, whose online activities may be revealed to a decidedly un-kink-friendly IT department at work, but Helen’s past trauma reflects on every part of her present life, including her ability to envision the future. While Helen was in college, her parents were convicted and jailed in a horrific case of elder abuse that left her grandmother near death. Helen visits her grandmother in the nursing home regularly, but she’s also in contact with her father, who wants her to be a character witness to help him get parole. Torn between the desires to punish and please her father, Helen’s self-destructive tendencies threaten to destabilize every relationship she has built, including the one she has established with herself. Helen and the wives are compelling characters whose desires—even at their most macabre—stem from relatable places. However, while the book as a whole creates a moving portrait of Helen’s suffering and the potential for healing she finds in the “warm cruelty” of her chosen family, the overly technical depictions of the novel’s many sexual encounters strip away a sense of authentic passion. The result is a stilted distance in the very scenes where the prose should rise to a fever pitch, robbing them of their power.

Full of desire but somewhat lacking in passion. Nevertheless, a provocative read.