A cinematic treatment of derring-do and yet another testament to the importance of women in the historical evolution of the...
Moss tackles an important incident in the life of Kate Carter—aka Kate Warne—the first female professional private detective in the United States.
Accompanied by Chu’s historical-period visuals, Moss begins with Allan Pinkerton’s hiring of Kate Warne, an ambitious, adventurous white woman who talks her way into the job, before getting to the nub of this story: Warne’s undercover work in disentangling the theft of $40,000 from a courier’s secure pouch. The sinuous trap laid by the detectives involved in the case—all Pinkerton men and one Pinkerton woman—is colorful enough to withstand the necessarily telegraphic narrative that Moss employs to fit the story into picture-book format. There is double-dealing and spying and subterfuge, close calls and traps and brain work, melding the story into a thriller and highlighting the talents and qualities that a woman brings to what is misconceived as a man’s job. Moss has picked a special moment in time as well as a special woman, spelled out in an author’s note: Pinkerton’s beginnings marked the turning of detective work to professionals. In Chu’s sepia-toned illustrations, Warne wears a determined expression, matched by the scowls of the villains, which recall such great historical yarns as The Great Train Robbery.
A cinematic treatment of derring-do and yet another testament to the importance of women in the historical evolution of the United States. (bibliography) (Picture book/biography. 6-10)Pub Date: April 1, 2017
ISBN: 978-1-939547-33-0
Page Count: 44
Publisher: Creston
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
A succinct, edifying read, but don’t buy it for the pictures.
Abraham Lincoln’s ascent to the presidency is recounted in a fluid, easy-to-read biography for early readers.
Simple, direct sentences stress Lincoln’s humble upbringing, his honesty, and his devotion to acting with moral conviction. “Lincoln didn’t seem like a man who would be president one day. But he studied hard and became a lawyer. He cared about people and about justice.” Slavery and Lincoln’s signature achievement of emancipation are explained in broad yet defined, understandable analogies. “At that time, in the South, the law let white people own black people, just as they owned a house or a horse.” Readers are clearly given the president’s perspective through some documented memorable quotes from his own letters. “Lincoln did not like slavery. ‘If slavery is not wrong,’ he wrote to a friend ‘nothing is wrong.’ ” (The text does not clarify that this letter was written in 1865 and not before he ascended to the presidency, as implied by the book.) As the war goes on and Lincoln makes his decision to free the slaves in the “Southern states”—“a bold move”—Lincoln’s own words describe his thinking: “ ‘If my name ever goes into history,’ Lincoln said, ‘it will be for this act.’ ” A very basic timeline, which mentions the assassination unaddressed in the text, is followed by backmatter providing photographs, slightly more detailed historical information, and legacy. It’s a pity that the text is accompanied by unremarkable, rudimentary opaque paintings.
A succinct, edifying read, but don’t buy it for the pictures. (Informational early reader. 6-8)Pub Date: June 20, 2017
ISBN: 978-0-06-243256-8
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
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