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A VILLAGE ROMANCE

Village stories that deftly lift a curtain on a world of friendly humor and touching details of Jewish life.

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A novel set in a small Jewish village chronicles an unlikely romance.

This latest book from Binder (The Zombie Cat, 2017, etc.) continues his stories about the village of Chelm “on the edge of the Black Forest, in a part of the world that was sometimes Poland, sometimes Russia, briefly Austria, and maybe Germany.” The author has related the fictional goings-on in this little village in five works. This sixth installment centers on the wisest man in Chelm, Rabbi Kibbitz, and an unexpected late-in-life romance he enjoys. The book opens with a note of hyperbolic wry humor that skillfully captures the tone of the whole volume. The good rabbi is officiating at the wedding of a young couple who have succumbed to the temptation to write their own vows. As those vows drone on and on, various members of the congregation drift off to sleep. When the couple are finally done with their pledges and married, they’re frozen in place. “They both made so many vows to each other,” Rabbi Kibbitz explains, “that they can’t move for fear of breaking their promises.” One of the most surprising marriages in the village turns out to be the rabbi’s own. He weds Mrs. Chaipul, “owner and operator of Chelm’s sole kosher restaurant, the village’s chief caterer, and the best wedding planner” within four days’ ride. She insists on being called Mrs. Chaipul even after their marriage (her first husband’s last name was Klammerdinger, so she’s a bit skittish). Their union is a happy one, gently and wonderfully portrayed by Binder. The slim book’s descriptions of small-town Jewish life glow with affection, including Rabbi Kibbitz’s irritation concerning his obligation to eat his wife’s tough-as-nails matzah balls (“After five minutes your jaws began to ache, and the villagers started to wonder whether Mrs. Chaipul’s family had all died of starvation or lockjaw”). In all of these engaging tales, the jokes and human pathos are expertly balanced.

Village stories that deftly lift a curtain on a world of friendly humor and touching details of Jewish life.

Pub Date: Aug. 9, 2019

ISBN: 978-1-940060-29-3

Page Count: 122

Publisher: Light Publications

Review Posted Online: Sept. 24, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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