Next book

YOU'LL NEVER BE HERE AGAIN

A coming-of-age story with a difference as newcomer Blackaby, winner of Britain's prestigious Betty Trask Prize, celebrates with gentle humor the finding of both true love and an absorbing vocation. In a series of flashbacks prompted by a real-estate flyer advertising apartments for rent, narrator Paul recalls his youthful past and the events that led to his present agreeable life. These memories, remembered with nicely calibrated self-deprecation, are interspersed with brief references to the personal landmarks that Paul passes as he walks across London to revisit the apartment he once lived in. As he detours past the Albert Memorial, a graveyard, and a favorite pub, he begins his story at the point of his 1984 pre-dawn meeting with Ann, one of roommate David's many girlfriends. An insomniac, confirmed smoker, and avid chess-player, Paul majored in mathematics at Oxford. But while he could mend cars, solve intricate equations, and challenge his college's reigning chess champion he was less successful with women. His first and only girlfriend took up with someone more assured, and he spent the rest of his time observing the easy sexual triumphs of David. After graduation, Paul moved to London, where he shared a flat with David, a man of mystery as well as a compulsive gambler, who was soon embroiled in shady financial ventures that soured. Within a few years Paul's own job with a multinational corporation became pointless and then nonexistent. Finally, a nasty bit of violence ended the pair's tenancy of the flat, and unemployed and unattached Paul was forced to find cheaper, less elegant accommodation. Life looked grim until he serendipitously found workand then love. Neither Lucky Jim nor Brideshead Revisited but, still, literate and amusing: a debut novel refreshingly rooted in the real world of work and ordinary pleasures.

Pub Date: July 1, 1995

ISBN: 0-575-05746-7

Page Count: 331

Publisher: Gollancz/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1995

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview