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SYDNEYSIDE REFLECTIONS

An unexpectedly immersive and often wise account of a holiday Down Under.

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Crimmins describes 10 aimless days in Sydney, Australia, in this literary travelogue.

In late January 2019, the author, a middle-aged Englishman who’d spent his adult life bouncing between the United States, Japan, Canada, and China, arrived in Sydney. He was based in Hong Kong and taught at a university in Shenzhen, but he decided to spend the Chinese New Year holidays exploring Australia’s Harbour City: “You know nobody in Sydney, and there’s nothing in particular you need to do,” Crimmins—who narrates in the second person—tells himself. “You just saw a chance to go to a new place and write. You would wander around and write what you saw. That was what you decided.” The author managed to pack his days full, even though he walked the streets without any specific goals, stopping in cafes to write, drink black coffee, and sample local pies, for which he had an extreme fondness. He chatted with locals and tourists alike, marveling at such gems of Australian English slang as “bikie gang” (for “biker gang”) and “big wet,” referring to torrential rain. He observed Sydneysiders, admiring their easy manner of existing in the world. He also mused on the nature of Australia Day, a holiday for which he happened to be present, as well as the status of Indigenous Australians, immigrants, and unhoused people in contemporary society. Along the way, he considered war memorials and vestiges of British colonialism. Mostly, he allowed the things he observed to spark memories of the many other places he’d already been. Thus, Crimmins explored not only the city around him but also the bustling metropolis of associations that it stimulated in his mind.

The book is a blend of memoir and travel writing, but it reads more like a novel. Readers may be reminded of the works of W.G. Sebald or Teju Cole, although Crimmins’ work lacks the slight gestures toward plot that those authors provide. The prose is rich and lyrical, despite the relatively low stakes of the endeavor it describes: “The beach is stasis, endless repetition, nothingness,” writes Crimmins in a cheerful existentialist mode. “You lost a Facebook friend once, for expressing this. She wanted to know why you didn’t like the beautiful blue sea and lovely beaches. The sea is nothingness, you Messengered her back. She promptly unfriended you….” Ultimately, the city itself doesn’t feel very important. Even though the author describes his peregrinations through Sydney in considerable detail, readers won’t come away with a strong understanding of its geography; as Crimmins describes the place, it could be any number of modern urban areas. What he captures instead is the sense of what a new city stirs in a traveler: a blend of familiarity and alienness, of the local and the globalized. Whether comfortably homebound or, like Crimmins, exploring a new urban center for the first time, readers will find in this book a formula for rewarding travel: to go without expectation, with deep curiosity, and with a desire to see everything through new eyes.

An unexpectedly immersive and often wise account of a holiday Down Under.

Pub Date: June 10, 2020

ISBN: 9781925536072

Page Count: 202

Publisher: Everytime Press

Review Posted Online: Dec. 22, 2023

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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