Derr (A Dog’s History of America, 2004, etc.) explores various scenarios on the road to the long, fruitful relationship between dogs and humans.
“Among the broader population of Pleistocene wolves and human were individuals who by virtue of extreme sociability and curiosity, or both, became best friends and compatriots after encountering each other on the trail,” writes the author in this rangy, critically stimulating and warm book. Derr begins with an overview of behavioral and biological experiments and models and theories, which becomes a dirge-like march, perhaps because readers know that he is going to pick many of them apart. So much new information comes in daily regarding dog studies that the ground is always shaky. But there are a number of ideas, backed by research and evidence, which Derr unfolds in a quietly stirring manner. The first is that wolves and humans were drawn together by their mutual sociability and curiosity, and that they stayed together thanks to mutual utility. All evidence places the first dogs at the camps of hunters, so the old notion that humans and dogwolves first made acquaintance around the local dumpster can be laid to rest. “Rather it was an animal capable of forming an active friendship with a creature from another species,” and, absent proof otherwise, likely consensual, in response to the needs and desires of both. Indeed, being able to manage anger and fear, control assertiveness and restraint and moderate one’s appetite is more wolf than primate behavior. Derr also provides a striking geographical analysis of mixing grounds (“a biological and a cultural process involving two highly mobile species”) and enjoyable illustrative scenarios as he imagines specific events taking place. A transporting slice of dog/wolf thinking that will pique the interest of anyone with a dog in their orbit.
Pub Date: Oct. 13, 2011
ISBN: 978-1-59020-700-0
Page Count: 288
Publisher: Overlook
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.
A new life and book arise from the ashes of a devastating California wildfire.
These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.Pub Date: March 5, 2019
ISBN: 978-1-4197-3585-1
Page Count: 160
Publisher: Abrams ComicArts
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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