CHILDREN OF THE AIR

Humans and animals in small-town America unite and diverge in this novel about families and devastating loss.

Mary Peabody loves her freethinking 13-year-old daughter, Melissa, but needs a break. Motherhood hasn’t been easy, especially since Lissy’s father abruptly left three years ago. Mary sends Lissy to the teen’s recently widowed grandfather’s farm for the summer. But as Mary spends most of her precious solitude watching TV, will her resultant guilt overwhelm her? Surprisingly, her life parallels Corwynn’s, an eagle nurturing three eggs in her nest in the dense woods not far from Lissy at her grandfather Ed Nowlen’s home. When humans capture the eaglets’ father, Corwynn—worried she won’t be able to care for her babies alone—contemplates abandoning the eggs. Other colorful characters gradually join the story: an injured owl; a high schooler fleeing his “meaningless” life and abusive father; and Ed’s loyal dog, Shep, who, like his owner, shows copious signs of his advancing age. They form a series of fractured families learning to rely on others, though some of them prove selfish or even outright malicious. In this somber tale, Smith writes in a beautifully simple style. This matches the animals’ outlook; they live in the moment, as the narrative focuses on singular tasks, such as Corwynn hunting for food. The animals’ perspectives can also be endearing. Birds, for example, see humans with “malformed wings,” and Shep’s name for Ed is “Good.” But this story is largely humorless, teeming with characters not ready to say goodbye, from Ed still mourning his wife to Lissy viewing high school as the unwanted end of her childhood. Similarly, there’s a sad death or two as well as a violent act with long-lasting repercussions. The novel is not all gloom, though, as these glimpses into varied but comparable lives create a truly rewarding experience.

Indelible characters, two-legged or otherwise, power this superb, melodramatic tale.