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THE CASE OF THE DISASTROUS DRAGON

From the Tales of Monstrovia series

This entry, infused with sly humor and anchored by a relatable hero, doesn’t disappoint.

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A 12-year-old boy is alarmed when his lawyer uncle’s new client turns out to be a fire-breathing dragon in Newhouse’s (Alice in Batsylvania, 2016, etc.) second middle-grade comic-fantasy series installment.

Young Brodie is just beginning to adjust to life in the unusual town of Monstrovia. His divorced parents are still away (Mom’s in China, Dad’s in the military), so he’s staying with his Uncle Jasper, one of the few other humans in the city and an attorney to trolls, giants, and all manner of beings out of folktales, fairy tales, and myth. In the series debut, Brodie provided a clue that enabled Jasper to help Jack (of “Jack and the Beanstalk” fame) avoid a giant-killing murder rap. Now Jasper is enlisting Brodie to help in his next case, involving a fuzzy-cheeked, fire-breathing Serpentake (a rare type of dragon) and his offspring, who are being evicted from their ancestral forest home to make way for a dump. Newhouse treats readers to an inventive world of literature-referencing wackiness, including bear-headed peacekeepers; the late Wicked Witch of the West’s flying monkeys, now freelancing as thuggish enforcers; the Big Bad Wolf’s lawyer brother; a speed-obsessed cabbie in a car shaped like a mushroom; a “wacked-out computer” called “the Brain,” controlled by thoughts and emotions; and much more. Brodie is portrayed as much more than just a human foil for the nonhuman shenanigans, however. As the story progresses, so does the protagonist’s deepening understanding of himself and others, helped by his growing sympathy for the Serpentake’s chaos-causing dragon babies and his friendship with Emily Beanstalk, Jack’s “humanoid” and “good percentage fictional” sister. Throughout, Newhouse never loses sight of Brodie’s shifting perspective, skillfully weaving the plot around the believably prickly, puzzle-loving young protagonist.

This entry, infused with sly humor and anchored by a relatable hero, doesn’t disappoint.

Pub Date: Sept. 2, 2016

ISBN: 978-1-5374-5759-8

Page Count: 176

Publisher: AimHi Press

Review Posted Online: Jan. 29, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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