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Chaos Theory As Applied to Love, Baseball, and the Rest of the Universe

A funny, poignant novel that shows how baseball and love exist in a realm beyond reason.

In Herder’s (The Second Coming of Jesse James, 2014) fine new novel, tension flares on the Freiburg High School baseball team when a girl becomes the starting pitcher.

This charming, fun novel features a cast of eccentric Missourians and centers on two pitchers—hapless George Seibenmann and feisty Ruth Hannon. George’s family is a bunch of overweight ne’er-do-wells, but George is bright and ambitious, applying to Caltech to study physics and wanting to, as Theodore Roosevelt said, “dare mighty things.” Ruth chops off her “famous” long hair after it causes problems on the field at her first practice, but the enigmatic young woman proves that she’s a force to be reckoned with when she nearly strikes out the team’s best hitter. However, George must reckon with another force: chaos, which reigns throughout the story, as small gestures have huge effects, and thoughtless deeds have unintended consequences. The Seibenmann family members’ lives have always been dictated by forces beyond their control—bad economies, Parkinson’s disease, war. George’s life swirls with the chaos of college admissions, baseball season—and his love for Ruth. His struggle drives this novel forward, but Ruth never quite comes into clear focus, even as some of the minor characters do. Her presence looms large, but her personality remains vague; as a result, readers may have difficulty relating to George’s attraction to her, aside from the fact that she’s a good-looking, talented female and he’s a red-blooded American male. Otherwise, this is a complex, self-aware book; for example, at church, George thinks, “This was a high school baseball game between two rinky-dink towns. No one else cared, not even in the next county. Certainly, Almighty God had issues of more pressing concern.” But soon, even he gets swept up in the fervor, singing the “Battle Hymn of the Republic” and chanting “All the way to State!” It’s a beautifully scaled moment, typical of the novel, which, like its protagonist, is smart and full of feeling.

A funny, poignant novel that shows how baseball and love exist in a realm beyond reason.

Pub Date: Feb. 22, 2014

ISBN: N/A

Page Count: 184

Publisher: Amazon Digital Services

Review Posted Online: April 18, 2014

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Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A short, simple, and sweet tale about two friends and a horse.

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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ONCE UPON A GIRL

Therapeutic, moving verse from a promising new talent.

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Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.

The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.

Therapeutic, moving verse from a promising new talent.

Pub Date: Nov. 2, 2018

ISBN: 978-1-72770-538-6

Page Count: 196

Publisher: CreateSpace

Review Posted Online: Jan. 9, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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