Series addict? Go right ahead. You know you want to.
Fifth in Hodder’s steampunk series (The Secret of Abdu El Yezdi, 2013, etc.) starring Victorian explorer/translator Sir Richard Burton and his improbable sidekick, the poet Algernon Charles Swinburne.
Series regulars will acknowledge that the books don't stand alone. So, recall that everything began with the assassination of Queen Victoria by Edward Oxford, an insane time traveler from the 23rd century. This resulted in an alternate history in which scientist Charles Babbage and engineer Isambard Kingdom Brunel spurred an industrial revolution that led to a devastating world war in the future of every timeline. Babbage, Brunel (now resident in a bizarre robot body), Burton and Swinburne have been searching desperately for a way to avert the war. This time, at precisely 9 p.m. on Feb. 15, 1860, as Babbage performs a critical experiment on the time traveler’s suit recovered in a previous episode, red snow falls over London as Burton and Swinburne make their way to a meeting of the Cannibal Club, and Spring Heeled Jack appears out of thin air, shrieking insanely and attacking Burton. Soon, dozens more Jacks, all dangerously demented, appear in locations where Burton is likely to be found. Burton, meanwhile, resorts to Saltzman’s tincture, a decoction that brings him bewildering visions of parallel realities and futures yet to be—including one where Burton finds himself in the 23rd century, occupying the brain and body of the decidedly sane genius known as Edward Oxford! Alert readers will note that Hodder’s time-travel rationale buckles under the pressure of the plot’s requirements, but it doesn’t matter: There’s more than enough adventure, intrigue, invention, fun and engagement to satisfy everybody—at least, those with some idea of what to expect.
Series addict? Go right ahead. You know you want to.Pub Date: July 8, 2014
ISBN: 978-1-61614-905-5
Page Count: 370
Publisher: Pyr/Prometheus Books
Review Posted Online: June 4, 2014
Kirkus Reviews Issue: June 15, 2014
BOOK REVIEW
BOOK REVIEW
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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