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PLACEBOCRACY AND OTHER AILMENTS

A CLASSICAL LIBERAL TAKE ON AMERICA TODAY

A heavy-handed yet ideologically coherent take on contemporary politics.

A classical liberal offers a wide-ranging discussion of American political and social ills.

As a Renaissance man who worked in construction, firefighting, oil-spill cleanup, and the commercial maritime industry before becoming a lawyer, Hartwig is drawn to the multifaceted lives and intellectual curiosity of Thomas Jefferson and the other men who founded the United States. As a classical liberal, the author is also deeply sympathetic to their philosophy of limited government. Rather than signaling a new age of American politics, he sees the election of Donald Trump as president reflecting how far the U.S. has departed from its classical liberal moorings to became a “Placebocracy,” in which the government “devises solutions that appear to solve the problems of its constituents, while actually making things worse.” Because of Hartwig’s atypical ideological roots, readers across the political spectrum are likely to, at various intervals, nod in agreement at his hot, forceful views or want to toss his book aside. Like many on the left, the author places the declining incomes of middle-class Americans, corporate subsides, and preferential tax treatment for the rich at the center of the nation’s decline and rails against “short sighted” wars in Iraq and Afghanistan, religious fundamentalism, and “corporate monoliths.” Alternately, he joins many on the right in his occasional screeds against Hollywood celebrities, the “pop science” of climate change, and the “political correctness” that polices “any banter whatsoever involving ethnicity, culture, gender…or the myriad of other topics that used to be considered benign.” He is most passionate in his intriguing critiques of the American educational system, which is not only another example of an inept government at work, but has become “infected” with “political correctness” and “partisan politics” as well. In his comprehensive book, Hartwig presents eloquent and consistent arguments that eschew right or left paradigms, offering many rich details. But, given the author’s self-professed predilections toward history, many scholars will bristle at some of his superficial interpretations. Jefferson would be shocked, for instance, to read that his Federalist rival John Adams—the man he called a “monarch” and who signed the big-government, anti–free speech Sedition Act—was a man committed to forestalling the “excesses of the state.”

A heavy-handed yet ideologically coherent take on contemporary politics. (acknowledgements, "Recommended Reading (A Partial List) / Bibliography")

Pub Date: Jan. 7, 2020

ISBN: 978-1-59152-260-7

Page Count: 320

Publisher: Yucca Ash Press

Review Posted Online: April 1, 2020

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WHO'S AFRAID OF GENDER?

A master class in how gender has been weaponized in support of conservative values and authoritarian regimes.

A deeply informed critique of the malicious initiatives currently using gender as a political tool to arouse fear and strengthen political and religious institutions.

In their latest book, following The Force of Nonviolence, Butler, the noted philosopher and gender studies scholar, documents and debunks the anti-gender ideology of the right, the core principle of which is that male and female are natural categories whose recognition is essential for the survival of the family, nations, and patriarchal order. Its proponents reject “sex” as a malleable category infused with prior political and cultural understandings. By turning gender into a “phantasmatic scene,” they enable those in positions of authority to deflect attention from such world-destroying forces as war, predatory capitalism, and climate change. Butler explores the ideology’s presence in the U.S., the U.K., Uganda, and Hungary, countries where legislation has limited the rights of trans and homosexual people and denied them their sexual identity. The author also delves into the ideology’s roots among Evangelicals and the Catholic Church and such political leaders as Donald Trump and Viktor Orbán. Butler is particularly bothered by trans-exclusionary radical feminists (TERFs), who treat trans women as “male predators in disguise.” For the author, “the gap between the perceived or lived body and prevailing social norms can never be fully closed.” They imagine “a world where the many relations to being socially embodied that exist become more livable” and calls for alliances across differences and “a radical democracy informed by socialist values.” Butler compensates for the thinness of some of their recommendations with an astute dissection of the ideology’s core ideas and impressive grasp of its intellectual pretensions. This is a wonderfully thoughtful and impassioned book on a critically important centerpiece of contemporary authoritarianism and patriarchy.

A master class in how gender has been weaponized in support of conservative values and authoritarian regimes.

Pub Date: March 19, 2024

ISBN: 9780374608224

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 5, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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SORRY NOT SORRY

The choir is sure to enjoy this impassioned preaching on familiar progressive themes.

Essays on current political topics by a high-profile actor and activist.

Milano explains in an introduction that she began writing this uneven collection while dealing with a severe case of Covid-19 and suffering from "persistent brain fog.” In the first essay, "On Being Unapologetically Fucked Up,” the author begins by fuming over a February 2019 incident in which she compared MAGA caps worn by high school kids to KKK hoods. She then runs through a grab bag of flash-point news items (police shootings, border crimes, sexual predators in government), deploying the F-bomb with abandon and concluding, "What I know is that fucked up is as fundamental a state of the world as night and day. But I know there is better. I know that ‘less fucked up’ is a state we can live in.” The second essay, "Believe Women," discusses Milano’s seminal role in the MeToo movement; unfortunately, it is similarly conversational in tone and predictable in content. One of the few truly personal essays, "David," about the author's marriage, refutes the old saw about love meaning never having to say you're sorry, replacing it with "Love means you can suggest a national sex strike and your husband doesn't run away screaming." Milano assumes, perhaps rightly, that her audience is composed of followers and fans; perhaps these readers will know what she is talking about in the seemingly allegorical "By Any Other Name," about her bad experience with a certain rosebush. "Holy shit, giving birth sucked," begins one essay. "Words are weird, right?" begins the next. "Welp, this is going to piss some of you off. Hang in there," opens a screed about cancel culture—though she’s entirely correct that “it’s childish, divisive, conceited, and Trumpian to its core.” By the end, however, Milano's intelligence, compassion, integrity, and endurance somewhat compensate for her lack of literary polish.

The choir is sure to enjoy this impassioned preaching on familiar progressive themes.

Pub Date: Oct. 26, 2021

ISBN: 978-0-593-18329-8

Page Count: 272

Publisher: Dutton

Review Posted Online: Aug. 16, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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