Pleasant enough, but in the end little more than a fan's notes.
The author recalls his years on the road with volatile and complex jazz musician Miles Davis.
In 1973, guitarist Murphy received a call to join Davis's entourage. He worked for the trumpet-player off and on through 1983, first as a stagehand and then as road manager, helping with everything from sound systems to procuring women. A startling, innovative talent, Davis began his career with Charley Parker's quintet in the 1940s, then broke away to become the embodiment of “cool jazz” in the ’50s. He reinvented himself several more times, even experimenting with rap before his death in 1991. In the ’70s, Davis rolled the influences of Jimi Hendrix and Sly Stone into his repertoire, more or less inventing fusion. Many of Davis's loyalists from the good old days hated the extremely loud, amplified band (whose members used a lot of drugs) that Miles presided over during the period Murphy chronicles, but rock fans loved it, making Bitches Brew the bestselling jazz album in history. Murphy does little more here than string together anecdotes, with many a cameo from Bob Dylan to Waylon Jennings to the members of U2, but at least he manages to make Davis come across better than he did in Miles: The Autobiography (1989) and puts into context rumors of his bisexuality. Toward the end of Murphy's gig, Davis is in physical decline, much of it brought on by drug abuse, and these are the best, most affecting pages. Gratifyingly, a strong woman comes into Miles’s life: In part because of Cicely Tyson, Davis made another big comeback in the early ’80s with a series of concerts at the Lincoln Center. Though Murphy has his moments, he’s also quite idiosyncratic: His lengthy comparison of Davis with Ernest Hemingway seems odd at best, and his structure throughout is jagged and unbalanced.
Pleasant enough, but in the end little more than a fan's notes.Pub Date: Feb. 1, 2001
ISBN: 1-56025-361-4
Page Count: 272
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2001
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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