Offering a fresh look at his subject’s less-than-savory aspects, Lamster portrays a diffident genius for whom being boring...

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THE MAN IN THE GLASS HOUSE

PHILIP JOHNSON, ARCHITECT OF THE MODERN CENTURY

An astute but not terribly sympathetic look at the influential modernist architect.

Brilliant and iconoclastic but prickly and controversial, Philip Johnson (1906-2005) led a seemingly charmed existence, but he was essentially restless, opportunistic, and—as Dallas Morning News architecture critic Lamster (Architecture/Univ. of Texas at Arlington; Master of Shadows: The Secret Diplomatic Career of the Painter Peter Paul Rubens, 2009, etc.) portrays through analysis of his architectural creations—often joyless. The well-off son of a Cleveland corporate lawyer and Quaker matron, Johnson was a dilettante in his youth. He became a scholar of classics and philosophy at Harvard, where he fell into a “fraternity of sympathetic gay men” who fervently discussed modern art and design; the group was led by Lincoln Kirstein, Paul J. Sachs, and Alfred H. Barr. The last would become the first director of the new Museum of Modern Art in New York. After a tour of radical European modernism, Johnson—before he even attended architecture school—was chosen to curate the museum’s first groundbreaking architectural show in 1932, which featured exhibits by Frank Lloyd Wright, Walter Gropius, Le Corbusier, and Ludwig Mies van der Rohe. As “house architect” for the museum during four decades, Johnson produced such successful shows as Machine Art (1934) and fashioned the enduring urban oasis of the Abby Aldrich Rockefeller Sculpture Garden (1953). Lamster marvels at how Johnson was able to “straddle both the modernist and the traditionalist factions,” from his own New Canaan Glass House (1949), skyline-altering Seagram Building (1958), postmodern AT&T Tower (1994), and other creations to his activism for various cities’ Beaux Arts preservation. Notably, the author devotes significant attention to Johnson’s troubling foray into fascist anti-Semitic politics of the 1930s, which indeed would haunt him later on.

Offering a fresh look at his subject’s less-than-savory aspects, Lamster portrays a diffident genius for whom being boring was the greatest crime and whose work, while often riveting, was also “barren and inert and lonely.”

Pub Date: Nov. 6, 2018

ISBN: 978-0-316-12643-4

Page Count: 528

Publisher: Little, Brown

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

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The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 16, 2020

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