by Mark Leyner ‧ RELEASE DATE: March 26, 2012
Anyone who’s still with us by now should embrace this earnest exploitation of the myths of the new world, complete with...
Whom the gods would destroy, they would not only make mad but also molest, punish and celebrate, all in a day’s work.
The latest from Leyner (The Tetherballs of Bougainville, 2008, etc.) concerns itself with the lives, resentments, obsessions and childish rapprochements of the Gods. No, not That One, but a motley collection of drunken deities ensconced in the world’s tallest buildings, tapping mortal beauties and mainlining a drug called Gravy. Leyner immediately launches into a long introduction punctuated with asides like “Why Do Gods Like Having Sex With Humans So Much?” This stream-of-consciousness–laden gospel gradually reveals that the book itself is the eternal story of Ike Karton, a 48-year-old, anti-Semitic everyman from New Jersey (“Ike always keeps it simple and sexy,” echo the drug-addled bards who serve as the book’s Greek chorus). The story has been passed down and modified throughout history in a celebrity-riddled oral tradition that falls somewhere on the narrative scale between The Odyssey and TMZ. Alternately called “Ike’s Agony” and “T.G.I.F.” (not what you think), the story relates Ike’s travails and the mischief delivered upon him by the gods. The worst may well be El Cucho, largely called XOXO here, who is revealed to be "trying to ruin it by making it too confusing, by creating insoluble contradictions and conundrums, by essentially tying the shoelaces of the book together.” You, the reader, can help preserve the narrative’s integrity by chanting “Ike, Ike, Ike, Ike, Ike,” in the manner of either Popeye laughing or Billy Joel’s “Movin’ Out (Anthony’s Song).” Yes, really. There’s nothing quite like Leyner on a roll.
Anyone who’s still with us by now should embrace this earnest exploitation of the myths of the new world, complete with celebrity cameos.Pub Date: March 26, 2012
ISBN: 978-0-316-60845-9
Page Count: 256
Publisher: Little, Brown
Review Posted Online: Dec. 27, 2011
Kirkus Reviews Issue: Jan. 15, 2012
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by Nora Roberts ‧ RELEASE DATE: June 13, 1995
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
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by Kristin Hannah ‧ RELEASE DATE: Feb. 1, 2008
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
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