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THE WONDERS OF THE PECULIAR PARASOL

A pleasing fantasy that occasionally bogs down but usually entertains.

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In this debut children’s book, three cousins use a magical parasol to visit Storyworld, where they encounter an evil witch who must be stopped.

Cousins Amanda Jane “Mandy” Mandez, Mickey Veen, and Gina Sitzma, all 10 years old, are celebrating Mickey’s birthday at their great-grandmother Gigi’s house. During a game of hide-and-seek, Mandy discovers a parasol in the attic with a wooden handle carved in the shape of a dragon and a dull white knob on top. When Gina rests the parasol on her shoulder and twirls it, she’s put into a short trance that sends her to Storyworld, where she’s greeted by J.T. (short for “Just The Valet”). He explains some conditions for using the parasol (for example, it only works on sunny days) and tells Gina about her ancestor Mathias Phef Venscen. He was a powerful wizard and J.T. was his squire; Phef lives on after his body’s death in the enchanted realm. Now J.T. guides and protects Storyworld visitors, who live “in the story as if it was real.” The cousins all have exciting adventures via parasol. For example, Gina goes to a royal birthday party in a fairy-talelike land; Mickey travels to Mars on a spaceship and helps rescue scientists; and Mandy visits Talon, “the center and the core of Storyworld,” where real dragons live. The secret is revealed to others, who join in. At Gigi’s house in the summer, the whole family gathers to hear the latest escapades. But all is not well in the mystical realm: Mandy’s mother is turned to stone by Loganna, the “Lizard Witch,” who’s amassing an army to invade Storyworld. The group executes a perilous plan to mount a rescue mission and fight Loganna, requiring Mandy to dig deep for her magical powers. In his novel, Even uses some popular fantasy themes, such as an enchanted portal, dragons, wizards, charmed objects, and rescue quests. Also pleasing are scenarios such as discovering a special heritage and acquiring occult abilities. Mandy, for example, gets the delightful news that as Phef’s descendant, she is “of magic—and thus a witch.” The adventures are nicely varied to suit different tastes for types of stories and settings, from outer space to undersea. The escapades themselves are mostly described after the fact, when a more direct account might be more enjoyable. That’s especially true given that the tale can drag a bit during exposition about the rules, exceptions, history, and characteristics of Storyworld and its magical items or creatures. Many of the realm’s rules seem made to be broken, making it hard to justify long explanations of lore. But the author does describe an appealingly affectionate extended family, lifted from the ordinary by their wizardly backstory. The chapter heading images by debut illustrator Canfield are naive but charming. The book ends on a dramatic and promising note of magical exploits to come, presumably less burdened by the need for lore.

A pleasing fantasy that occasionally bogs down but usually entertains.

Pub Date: Oct. 21, 2019

ISBN: 978-0-9889048-2-8

Page Count: 150

Publisher: Cresting Wave Publishing

Review Posted Online: Dec. 29, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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