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THE WONDERS OF THE PECULIAR PARASOL

A pleasing fantasy that occasionally bogs down but usually entertains.

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In this debut children’s book, three cousins use a magical parasol to visit Storyworld, where they encounter an evil witch who must be stopped.

Cousins Amanda Jane “Mandy” Mandez, Mickey Veen, and Gina Sitzma, all 10 years old, are celebrating Mickey’s birthday at their great-grandmother Gigi’s house. During a game of hide-and-seek, Mandy discovers a parasol in the attic with a wooden handle carved in the shape of a dragon and a dull white knob on top. When Gina rests the parasol on her shoulder and twirls it, she’s put into a short trance that sends her to Storyworld, where she’s greeted by J.T. (short for “Just The Valet”). He explains some conditions for using the parasol (for example, it only works on sunny days) and tells Gina about her ancestor Mathias Phef Venscen. He was a powerful wizard and J.T. was his squire; Phef lives on after his body’s death in the enchanted realm. Now J.T. guides and protects Storyworld visitors, who live “in the story as if it was real.” The cousins all have exciting adventures via parasol. For example, Gina goes to a royal birthday party in a fairy-talelike land; Mickey travels to Mars on a spaceship and helps rescue scientists; and Mandy visits Talon, “the center and the core of Storyworld,” where real dragons live. The secret is revealed to others, who join in. At Gigi’s house in the summer, the whole family gathers to hear the latest escapades. But all is not well in the mystical realm: Mandy’s mother is turned to stone by Loganna, the “Lizard Witch,” who’s amassing an army to invade Storyworld. The group executes a perilous plan to mount a rescue mission and fight Loganna, requiring Mandy to dig deep for her magical powers. In his novel, Even uses some popular fantasy themes, such as an enchanted portal, dragons, wizards, charmed objects, and rescue quests. Also pleasing are scenarios such as discovering a special heritage and acquiring occult abilities. Mandy, for example, gets the delightful news that as Phef’s descendant, she is “of magic—and thus a witch.” The adventures are nicely varied to suit different tastes for types of stories and settings, from outer space to undersea. The escapades themselves are mostly described after the fact, when a more direct account might be more enjoyable. That’s especially true given that the tale can drag a bit during exposition about the rules, exceptions, history, and characteristics of Storyworld and its magical items or creatures. Many of the realm’s rules seem made to be broken, making it hard to justify long explanations of lore. But the author does describe an appealingly affectionate extended family, lifted from the ordinary by their wizardly backstory. The chapter heading images by debut illustrator Canfield are naive but charming. The book ends on a dramatic and promising note of magical exploits to come, presumably less burdened by the need for lore.

A pleasing fantasy that occasionally bogs down but usually entertains.

Pub Date: Oct. 21, 2019

ISBN: 978-0-9889048-2-8

Page Count: 150

Publisher: Cresting Wave Publishing

Review Posted Online: Dec. 29, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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