THE TONE POET

In Rickert’s debut novel, a composer’s ability to nearly reproduce the sounds of “Astral Music” brings him in contact with a bizarre group of musicians.

During this novel’s “Overture,” a “fist-sized mass the purplish color of a newborn baby emerge[s] from [an] instrument’s bowels.” Not all the text that follows is as consistently gruesome, but that event is a harbinger of terrors to come. Readers who prefer not to suspend their disbelief, beware; others, prepare for a fantastic, twisted update on Southern Gothic horror. Its would-be hero is San Diego composer Cameron Blake, whose musical talents are being squandered scoring bad television shows when he receives a visitor with “eyes that sparkled like chips of blue ice”: Leonin Bloom, the conductor of a chamber orchestra in Holloway, Tennessee. Bloom explains that Cameron isn’t the only person who has heard “music from the Other Side” (which the composer experienced after a childhood car accident), but he is the one who’s come closest to replicating it. Intrigued, Cameron follows Bloom to Tennessee, where he meets an orchestra of preternaturally old, rancid-smelling musicians and encounters Bloom’s collection of grotesquely shaped musical instruments, with features such as skulls and “demon-faced scrolls.” As Cameron’s compositional work gets underway—with the aid of a special tuning fork that lets the musicians attain inner harmony—he also meets several residents of Holloway, including Simon, an immense, extremely talented violinist with no ears; Hob, a janitor who believes his dead wife is communicating with him; and Madison, a beautiful shop owner with whom Cameron instantly connects. The overall atmosphere of Rickert’s novel is impressive, as is its often shocking plot. The author’s skill is most evident in his depiction of his characters, who seem instantly recognizable, even in brief appearances. As a result, their uneasy fates may disappoint some readers. (One horrendous assault early in the novel is unshakably discomforting.) When events take on epic, heaven-and-hell proportions, none of the characters is safe—but that same sense of consequence also results in an excellent work.

An ambitious, disquieting and majestic debut.