A practical, comprehensive, and authoritative work.

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THE KEY TO PROSTATE CANCER

30 EXPERTS EXPLAIN 15 STAGES OF PROSTATE CANCER

A treatment-selection guide for the savvy prostate cancer patient.

Editor and author Scholz’s (co-author: Invasion of the Prostate Snatchers, 2010) layman’s guide to prostate cancer aims to help men to understand the severity of their ailment and to create a “personalized treatment plan” in concert with their physicians. The author is the executive director of the Prostate Cancer Research Institute and a physician who’s treated prostate cancer for more than 20 years, and he’s joined by a large cohort of other oncology experts, each of whom contributes chapters that define and discuss the “basic components” of prostate cancer diagnosis (including PSA [prostate specific antigen] levels, a Gleason score, prostate scans, and body scans). The crux of the guide, the “Five Stages of Blue,” classifies newly diagnosed patients as either low-, intermediate-, or high-risk (Sky, Teal, or Azure, respectively) and veteran patients as either having a relapse (Indigo) or metastasis (Royal). Readers can skip ahead to the chapters that are most pertinent to their stage. The book’s overall goal is to allow men to make prudent treatment decisions—and, especially, to help them avoid potentially irrevocable damage to their quality of life due to unnecessary surgery or radiation treatment. Most prostate cancer patients are referred to surgeons (primarily urologists); according to author Ralph Blum, there are fewer than 20 oncologists who specialize exclusively in this type of cancer, so this guide is necessary and useful. The multiple experts successfully provide context in patient-friendly but not overly simplistic terms. The book’s pragmatic and systematic consideration of treatment options and risks will allow readers to make educated decisions. In short, the guide accomplishes what it set out to do: it “forewarn[s] and forearm[s]” patients about “industry biases” and “less-than-fully informed” physicians.

A practical, comprehensive, and authoritative work.

Pub Date: Jan. 30, 2018

ISBN: 978-0-9990652-1-1

Page Count: 492

Publisher: Prostate Oncology Specialists

Review Posted Online: Oct. 3, 2018

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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