Tod Munn is in trouble for breaking into school and vandalizing school property. Previously, he’s taken kids’ lunch money, broken eyeglasses, intimidated weaker kids. He’s the stereotypical school bully. Or is he? His friends have been sentenced by the disciplinary committee to endless hours of cleanup duty, but Tod, for some reason, is sent to daily detention with Mrs. Woodrow, the guidance counselor and former English teacher, where his punishment is to write several pages per day in a composition notebook. And despite his handwriting, his scrawl, his prose is quite good, raising the question, early on, of how a thug like Tod could be such a literate writer, let alone have read Moby-Dick, Oliver Twist and A Clockwork Orange. But this novel-as-journal isn’t just the author’s conceit; Tod’s writing skill, his clear prose and natural voice, makes sense as readers get to know him through his journal, in which he describes himself and his world and proves that maybe he’s more than a “ghetto juvenile delinquent,” which is just what Mrs. Woodrow had suspected. A memorable debut. (Fiction. 12 & up)
Pub Date: Sept. 1, 2010
ISBN: 978-1-59643-417-2
Page Count: 240
Publisher: Neal Porter/Roaring Brook
Review Posted Online: July 1, 2010
Kirkus Reviews Issue: July 15, 2010
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Engrossing, contemplative, and as heart-wrenching as the title promises.
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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This astonishing book will generate much needed discussion.
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After 15-year-old Will sees his older brother, Shawn, gunned down on the streets, he sets out to do the expected: the rules dictate no crying, no snitching, and revenge.
Though the African-American teen has never held one, Will leaves his apartment with his brother’s gun tucked in his waistband. As he travels down on the elevator, the door opens on certain floors, and Will is confronted with a different figure from his past, each a victim of gun violence, each important in his life. They also force Will to face the questions he has about his plan. As each “ghost” speaks, Will realizes how much of his own story has been unknown to him and how intricately woven they are. Told in free-verse poems, this is a raw, powerful, and emotional depiction of urban violence. The structure of the novel heightens the tension, as each stop of the elevator brings a new challenge until the narrative arrives at its taut, ambiguous ending. There is considerable symbolism, including the 15 bullets in the gun and the way the elevator rules parallel street rules. Reynolds masterfully weaves in textured glimpses of the supporting characters. Throughout, readers get a vivid picture of Will and the people in his life, all trying to cope with the circumstances of their environment while expressing the love, uncertainty, and hope that all humans share.
This astonishing book will generate much needed discussion. (Verse fiction. 12-adult)Pub Date: Oct. 17, 2017
ISBN: 978-1-4814-3825-4
Page Count: 320
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 2, 2017
Kirkus Reviews Issue: July 15, 2017
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