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AMERICAN PANIC

A HISTORY OF WHO SCARES US AND WHY

Popular history that will appeal to readers of the author’s How the States Got Their Shapes.

A fresh take on the outbursts of hysteria over witches, Catholics, women, communists, gays, Muslims, illegal aliens and others that have occurred throughout American history.

Stein (How the States Got Their Shapes Too: The People Behind the Borderlines, 2011, etc.) explores the common source for political panics: the irrational fear that one’s government is in danger. Beginning with the 1692 Salem witch trials, the author describes how Americans have acted out of fears of conspiracy and fears based on stereotypes in an effort to make the world comprehensible. The richly detailed episodes recounted here are often quite familiar, but Stein brings a new perspective to understanding how they came about, what they have in common and how the panics sometimes link to one another. In an early hallmark of political panic, Native Americans were deemed vile, and accusers engaged in heinous acts (ethnic cleansing) against them. Biblical justifications fostered hysteria over African-Americans, gays, women and Muslims. Secrecy, real or imagined, spurred fear of freemasons and the Chinese. The most enduring panic, over the danger of African-Americans, predates the American Revolution and soared after the 1915 film The Birth of a Nation reached a mass audience. There was never widespread panic over Jews, perhaps since they lacked a homeland and the equivalent of a pope. Most panics are fueled by unverified claims, an insistence on absolutes and the assertion that correlation is causation. Alarmists cannot be stereotyped: They include both the ignorant and the well-educated, and they are often opportunists—e.g., power broker Thurlow Weed, who benefited from the anti-Masonic movement, and Attorney General A. Mitchell Palmer, whose anti-Red raids of the 1920s factored into his presidential ambitions.

Popular history that will appeal to readers of the author’s How the States Got Their Shapes.

Pub Date: May 20, 2014

ISBN: 978-1-137-27902-6

Page Count: 288

Publisher: Palgrave Macmillan

Review Posted Online: April 7, 2014

Kirkus Reviews Issue: May 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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