A practical handbook on poetic form for teachers, students, and poets who are interested both in the structural mechanics...
Asking two working poets to collectively construct an anthology about poetic form can be a risky proposition. Decisions about which forms to present, which poems most effectively illustrate those forms, and in what context to offer them would be a struggle for even one poet to come to terms with. In this anthology, Pulitzer Prize winner Mark Strand (The Weather of Words, etc.) and Stanford creative writing director Eavan Boland (The Lost Land, etc.) combine their poetic savvy to respond to these issues, resulting in a practical introduction to understanding poetic form. Strand and Boland divide the collection up into sections on metrical, shaping, and open forms. Each section offers outlines of the mechanics associated with each type of poem, a brief history of the form, and a thoughtful collection of poems representative of the form’s evolution through history. Each chapter concludes with a brief “close-up” reading of one of the provided poems, which helps situate it in a historical dialog with its poetic ancestors and descendants. Thus Gwendolyn Brooks’ Harlem Renaissance ballad “Sadie and Maud” is provocatively situated next to an excerpt from Oscar Wilde’s “The Ballad of Reading Gaol.” In addition to the ballad, Strand and Boland use this format to introduce and provoke thought about the villanelle, the sestina, the pantoum, the sonnet, blank verse, the heroic couplet, the stanza, the elegy, the pastoral, the ode, and modern open forms.
A practical handbook on poetic form for teachers, students, and poets who are interested both in the structural mechanics and literary heritage of poetic forms.Pub Date: April 1, 2000
ISBN: 0-393-04916-7
Page Count: 448
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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